Applications are now open for the Realness Pan African Scriptwriting Residency 2017

Media Release

APPLICATIONS ARE NOW OPEN FOR THE REALNESS PAN AFRICAN SCRIPTWRITING RESIDENCY 2017

Following the success of the inaugural scriptwriting residency, Realness is thrilled to announce the call for submissions for the 2017 edition.

Realness is a pioneering residency that provides filmmakers with the opportunity to hone and develop their creative scriptwriting skills. It serves to address the need for promising African film projects to be supported in their development phase to be able to realistically compete in global film markets.

This year five filmmakers - Amirah Tajdin (Kenya), Hiwot Admasu (Ethiopia) Luck Razanajaona (Madagascar), Sheetal Magan (South Africa) and Wim Steytler (South Africa) spent six weeks at the Nirox Artists’ Residency in the Cradle of Humankind under the mentorship of script consultants Selina Ukwuoma and Nadja Dumouchel, including attending the Durban FilmMart and Talent Campus at the Durban International Film Festival. 

“The success of this residency is not only evident in the encouraging feedback from the participants, who welcomed the opportunity to be in a quiet headspace to tap into their creative sources, but it is also evident in the numerous awards they have received and the progress made following the residency,” explains Elias Ribeiro, Creative Director of Realness. “Luck, for example, had a project selected for the Durban FilmMart prior to the residency, where we met and worked with participants as a precursor to programme. Here he walked off with awards from CineMart (International Film Festival Rotterdam) and the International Organisation of La Francophonie to further develop his script. Hiwot has since won an award to participate at another residency programme in Switzerland the Internationale Kurzfilmtage Winterthur, and two of the projects have signed co-production agreements since completing the residency.”

As a result of the Realness programme, Ribeiro has,been invited to present the initiative at five major international festivals since starting it earlier this year, namely Berlinale, Cannes, Locarno, Venice and Torino. “The continued interest is very encouraging and serves as a platform for the residents to maintain the momentum towards getting their films made. We have structured Realness in a very holistic and strategic way, engaging with heavy-weight partners and advisors in developing the framework for the programme. It is rewarding to see the genuine interest in developing synergy between African cinema and the rest of the world.”

Amirah Tajdin said “Realness made me realize that…time and space really does make all the difference during script writing.” Wim Steytler said that Realness gave him the courage to “throw my script and 8 months of work into the bin. I gained important insights into how to take my story from decent to good. After Realness my goal is to take the project from good to great.”

Realness is proud to announce that the partnerships established in 2016 will continue into the second edition, which means that the 2017 residents will also have the opportunity to further develop their projects through the awards offered by the Durban FilmMart, Locarno Filmmakers Academy, Torino Film Lab, Midpoint, EAVE and La Fabrique des Cinema du Monde.

The submission window opens on 28 November 2016 and closes on 31 January 2017:

Applicants must submit ONE PDF dossier containing:

• a motivation for wanting to participate in REALNESS (1 page)

• a synopsis of the proposed feature project (1 page)

• a narrative treatment of the proposed feature project (6 pages)

• a draft of the screenplay (if available)

• a writer's note of intention (1 page)

• a short biography (1 paragraph)

• two links to samples of previously produced work, uploaded to vimeo. If selected, residents will be required to donate one copy of their previous work to the Nirox film library.

The call is open to screenwriters from across the African continent and selection will be based on artistic merit. REALNESS will hold no legal claim over the work once the residency is completed.

All submitted material must be in English. A committee appointed by the Realness team and their partners will read the project entries and conduct interviews with a shortlist of candidates in April. The REALNESS selection will be announced at an event hosted by the pavilion Les Cinemas du Monde in Cannes, 2017.

Dossiers must be submitted to realness@urucumedia.com. For further information and to download the application form go to www.urucumedia.com/realness.

Independent cinemas extend the run of award-winning film - Train of Salt and Sugar in Cape Town and Johannesburg

Media Release

Independent cinemas extend the run of award-winning film - Train of Salt and Sugar in Cape Town and Johannesburg

Train of Salt and Sugar, recent winner of the Best Film award at the Joburg Film Festival, has had its run extended at local independent cinemas in Johannesburg and Cape Town.

The Mozambican film directed by Licínio Azevedo, is set in the civil-war-torn northern Mozambique during the late 80’s has received critical acclaim since premiering in August this year at Locarno Film Festival in Switzerland. The City Press’s film critic Charl Blignaut described the film as “a superb, gritty, mystical, African love story”.

A selected project at the 2014 Durban FilmMart, the film has been produced by Ukbar Filmes (Portugal), Ébano Multimédia (Mozambique), Les Films de l’Étranger (France), Panda Filmes (Brazil), and new-wave South African company Urucu Media with the support of M-Net and M-Net’s Portuguese channel Jango Magic in Africa.  M-Net will screen the film on Jango in 2017.

The film’s run has been extended at the Bioscope in Johannesburg until the end of December this year, and at The Labia in Cape Town until December 2.

For screening details go to www.thebioscope.co.za  or www.thelabia.co.za

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CAPTION: Artworks created by 2015 Velobala Art Class attendee Zakhele Hlabisa:  Amandla Okudla_Strength from food, Acrylic on canvas, 45.5 cm h x 56 cm w,

Next week’s annual Jazz Jol is going BIG - Durban, South Africa

Next week’s annual Jazz Jol is going BIG

The Centre for Jazz and Popular Music at the University of KwaZulu-Natal presents its 28th Jazz Jol on Wednesday, November 30 at 6pm.

The annual Jazz Jol, has become something of a legendary year-end celebration for music-lovers, with proceeds going to the Ronnie Madonsela Scholarship that assists disadvantaged jazz students at UKZN with financial aid or support. This year the Jol features student ensemble Nyimbo ya Bantu, the recently launched UKZN Big Band, the UKZN Trebles - a vocal group featuring UKZN Voice students, as well as a selection of students that have featured in the Centre’s showcases throughout the year.

Nyimbo ya Bantu, which means “people's song” in a blend of kiSwahili and isiZulu, is comprised of junior and senior jazz studies students from UKZN’s music discipline within the School of the Arts: Tseleng Mokhatla on flute, Ildo Nandja on double/electric bass and vocals, Nic Pitman on guitar, Zibusiso Makhathini on piano and Riley Giandhari on drums.

The ensemble’s repertoire mixes original compositions influenced by classic jazz, afro jazz and world music, with South African jazz standards and music by local artists from KwaZulu Natal. At the Jazz Jol they will perform, amongst other pieces, Rachel, composed by Pitman; Metamorphosis, composed and arranged by Nandja; End Times by Giandhari and Spirit of the Messenger by Makhathini. Audiences can also expect a cover composed by renowned South African pianist Bheki Mseleku. Nyimbo ya Bantu has performed at the Grahamstown Standard Bank Youth Jazz Festival, the Oslo Jazz Festival in Norway as part of the Nordic showcase and performs regularly at the Chairman in Durban.

“Audiences should expect a high quality musical performance with a fresh blending of traditional classic jazz with contemporary sounds of African and world music,” says Nyimbo ya Bantu’s band leader Nandja.

Directed by Burton Naidoo, the UKZN Big Band which was launched in June this year features a line-up of top talent - pianists Abigail Giddings and Jaedon Daniel, bassist Llewelyn Chetty, drummer Riley Giandhari, trumpeters, Siyanda Zulu, Sanele Qwabe, Phuti Mofokeng, and Talente Mhlongo, guitarist Kaylin Naidoo, Snothile Mkhize on clarinet, alto saxophonists Nwabisa Kheswa, Simone van Niekerk, Tim Lewis and Phumlani Mtiti, Tenor saxophonist Bonginkosi Mkhize and Trombonists Thembinkosi Khumalo, Mokgethisi Nkotsi, Tseleng Makhatla (flute) with Special guests Prof Salim Washington (tenor saxophone), Prof Mike Rossi from South African College of Music, University of Cape Town and George Mari (trumpet).

The Band will play a selection of favourites from their repertoire including standards such as Moten Swing by Buster Morten and two songs by living legend Ndikho Xaba arranged by John Kordalewski - Mad Mad and Nomusa.

“We are particularly excited by the band’s selection of music,” says Neil Gonsalves, Director for the Centre for Jazz and Popular Music, “John Kordalewski and Bab’ Ndikho Xaba, the great KZN pianist and struggle stalwart, met in the late 1970’s while Bab’ Ndikho was living in USA Washington DC. It was here that he mentored John. In 2014, John came to see Bab’ Ndikho and spending time at the keyboard together in his house led to the idea of writing arrangements of Baba’s music to preserve his cultural legacy. John wanted to create a unique combination of the “big band” sounds and colours with South African fundamentals that are in Xaba’s compositions. They eventually recorded a few ideas, which John uses as a reference for his arrangements. John worked with the UKZN Big band in September, and is excited to present his arrangements of these works with these talented musicians.”

The Ronnie Madonsela Scholarship also provides bursaries for deserving students and also funds students’ travel visas for overseas trips, as well as national travel and accommodation to the National Youth Jazz Festival in Grahamstown and other educational festivals, workshops and conferences.

The Jazz Jol takes place at The Centre for Jazz and Popular music (CJPM), Level 2, Shepstone Building at UKZN Howard College Campus. Tickets are R120, pensioners R80, and students R60 at the door. For more details contact Thuli Zama on 031 260 3385 or email Zamat1@ukzn.ac.za

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