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European Film Festival line-up announced

A stellar line-up of films has been announced for the 11th European Film Festival in South Africa which runs from 10 to 20 October.  Including two Oscar nominations, the select showcase of 14 films features numerous award-winners that delve into a wide-range of topics under the overarching theme of Complicated Freedoms.  Cinema screenings take place in Johannesburg at Ster Kinekor, The Zone in Rosebank, and in Cape Town at The Labia.  Eleven of the films will be available in the free programme of online streaming accessible across South Africa during the festival period.  

The Films

Io Capitano

The festival opens with Italian director Matteo Garrone’s Oscar-nominated IO CAPITANO. It recounts the epic journey of two teenage boys from Senegal who make their way across Africa in pursuit of a dream called Europe, and is based on accounts of actual experiences by people who have undertaken these arduous contemporary odysseys. Amidst the multiple dangers of desert, sea and hostile racketeers along the way, IO CAPITANO is ultimately a journey of hope and heroism.  This film goes beyond the numbers to put a very human face on migration issues that remain a tragic challenge to the world, very much including African countries; it raises issues of inequality and racism, but also highlights the presence of humanity and compassion in unexpected places.

 

Baan

The Portuguese film BAAN directed by Leonor Teles epitomises the pensive restlessness of 21st century Youth. It’s an innate search for both freedom and belonging in what is ultimately a journey of ongoing self-discovery when L. meets the elusive K.  This explorative and gorgeously shot film is by one of the brightest young filmmakers emerging out of Portugal today – who wrote it, directed it and filmed it.

 

Blackbird Blackbird Blackberry

The Swiss film BLACKBIRD BLACKBIRD BLACKBERRY, directed by Elene Naveriani, is about a 48 year old woman in a Georgian village who finds herself passionately falling for a man, and is suddenly faced with the decision whether to pursue the relationship or continue her life of independence.  The film makes a powerful statement about ageism, sexual awakening, and self-empowerment.  BLACKBIRD BLACKBIRD BLACKBERRY won the Best Film prize at the Swiss Film Awards this year.

 

Citizen Saint

From Georgia, CITIZEN SAINT is an evocatively shot black and white classic by Tinatin Kajrishvili, which tells the story of a mining town where the disappearance of a revered statue of a saint coincides with the arrival of a mysterious stranger.  A series of miracles create more chaos than good and controversial choices have to be made.  This rather satirical film was Georgia’s submission to the Academy Awards this year.

 

Dying

From Germany, the often comedic DYING directed by Matthias Glasner, unpicks the dynamics and dysfunctionality between the very different members of the Lunies family; the demented father, the sickly wife, the orchestra conductor son, and the radical hedonistic daughter.  We see that Dying is one thing, but Life is the real difficulty…. DYING won the Best Film prize at the German Film Awards this year.

 

Grey Bees

The Ukrainian film GREY BEES, directed by Dmyto Moiseiev, is about the last two remaining inhabitants in a tiny village in the no-man's-land between loyalist and separatist forces in the Donbas region in the days before the Russian invasion. Sergiich the beekeeper is Ukrainian, Pashka is Russian, and circumstances have brought them together in a stubborn and sometimes adversarial companionship.  GREY BEES is a powerful testament to human connection going beyond our differences in moments of need.

 

Kneecap

From the UK, KNEECAP by Rich Peppiatt, presents a riotous look at a hip-hop trio in Belfast who by rapping in their native Irish language become the unlikely figureheads of a Civil Rights movement to save their mother tongue.  In this fiercely original sex, drugs and hip-hop biopic Kneecap play themselves, laying down a global rallying cry for the defense of native cultures. The film won the coveted Audience Award at Sundance this year. 

 

Love According to Dalva

From Belgium, LOVE ACCORDING TO DALVA  directed by Emmanuelle Nicotis a beautiful portrait of friendship, recovery and identity through a young girl's childhood sexual abuse story.  Nicot’s  poignant film explores the ramifications of abuse with deep sensibility and grace, in Dalva’s journey to reconstruction and hope.  This film deals with a highly sensitive subject but one that has relevance in SA where child abuse is very high. The film won a remarkable 7 awards at Belgium’s Magritte Awards including Best Film.

 

Sweet Dreams

From the Netherlands, SWEET DREAMS, directed by Ena Sendijarević , is an audacious tale of the delicious demise of colonialism on a remote Indonesian island.  Satirical and sometimes surreal in tone, personal ambitions play out against a backdrop of workers uprisings, lust, and deep intrigue. Winner of the Best Film award in The Netherlands, SWEET DREAMS was also that country’s submission to the Academy Awards this year.

 

In the Spanish film THE OTHER WAY AROUND directed by Jonás Trueba, a filmmaker couple have decided to separate and come up with the idea of throwing a party to celebrate the break-up. It is a very contemporary comedy drama that teases out witty and highly believable performances from the cast with some revealing insight into how relationships work…. or don’t work. 

 

The Peasants

From Poland, THE PEASANTS, directed by Dorota Kobiela Welchman and Hugh Welchman, is a comic, tragic, and reflective story of one woman’s yearning for independence in a rural Polish village in the 19thcentury.  Full of ornamental song and rapturous dance, the acted performances are meticulously painted frame after frame by more than 100 oil painters in a unique form of animation, reminiscent of  the film LOVING VINCENT, by the same husband and wife directors. This film was Poland’s submission to the Academy Awards this year.

 

The Quiet Girl

In the Irish film THE QUIET GIRL, directed by Colm Bairéad, a young girl is sent away from her dysfunctional family to live with relatives for the summer where she blossoms and discovers a new way of living.  Similtaneously raw and profoundly empathetic, it is a story about childhood and the transformative power of love and human kindness.  THE QUIET GIRL won an Oscar nomination at the 2023 Academy Awards, the first Irish film ever to do so.

 

The Taste of Things

From France, THE TASTE OF THINGS is directed by Trần Anh Hùng, and stars Juliette Binoche and Benoît Magimel.  Set in 19 century France, it is a touching love story that revolves around gastronomy in a way you just won’t see in the modern foodie films and TV series.  This refined masterpiece of Cinema won the Best Director prize at Cannes and went on to be France’s submission for the 2024 Academy Awards.

 

Unruly

Women’s stories are very prominent in this year’s line-up and none more so than in the Danish film UNRULY.  Here, director Malou Reyman’s unflinching and empathetic depiction of young women battling patriarchy and suppression of their rights in a 1930’s women’s institution is a deeply personal example of how women’s voices will not be silenced.  It is also a strong reminder that achieving emancipation remains an ongoing process today. 

 For film synopses, film trailers and booking information visit www.eurofilmfest.co.za

 

The European Film Festival 2024 is a partnership project of the Delegation of the European Union to South Africa and 14 European embassies and cultural agencies in South Africa:  the Embassies of Belgium, Denmark, Georgia, Ireland, Italy, the Netherlands, Poland, Portugal, Spain, Switzerland, Ukraine, and the British Council, Camoes Institute of Portugal, French Institute in South Africa, Goethe-Institut, Italian Cultural Institut, and Wallonie-Bruxelles International.  

 

The festival is organised in cooperation with Cineuropa, Ster Kinekor and The Labia and is coordinated by Creative WorkZone.

 

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Photos supplied:

More pics on this Google drive here

Audio : Co-director of European Film Festival - Peter Rorvik

Youtube link to trailer here:

Workshops and Events at the European Film Festival 12 - 22 October 2023

The 10th edition of the European Film Festival kicks off on Thursday 12th and runs until Sunday 22nd  October at The Labia  (Cape Town), Ster Kinekor, The Zone (Johannesburg) and Ster Kinekor Gateway, Durban, as well as online. A number of free activities have been designed to both broaden and deepen the reach of the festival this year. 

Providing access in a variety of areas inside and outside the city precincts, thirteen screenings and post-screening discussions will take place at Community Centres in the Cape Town (Bertha Movie House Khayalitsha and Mowbray, various Ikamva Youth Programme venues in T3-T4, Mandela Park and Gugulethu) Johannesburg (Market Theatre – Windybrow and the Sibikwa Arts Centre),Durban (Ekhaya MultiArts Centre – KwaMashu) and  Oudtshoorn – Oudtshoorn Community Centre.   For full details go to : https://www.eurofilmfest.co.za/2023-home/special-programmes/

Further screenings and post-screening discussions are arranged for various secondary schools in the Cape Town, Johannesburg and Durban areas.

A special screening and discussion also takes place at the University of Pretoria’s Centre for Sexualities, AIDS and Gender. Directed by Lukas Dhont, Close is an Oscar-nominated drama about two 13-year old boys whose friendship is shattered by the pressures of masculinity.  There is much to unpick and unpack about this moving portrait of identity and independence, heartbreak and healing, and love -  this event is open to students, it starts at 16.00 on 20 October.  Email h.khorombi@up.ac.za for more information.

Cinematography Workshop

Goodbye Julia

A cinematography workshop conducted by Pierre de Villiers offers an invaluable skill-sharpening opportunity for budding cinematographers, in both Johannesburg and Cape Town.  Pierre’s film Goodbye Julia, which opens the festival, had its World Premiere in Un Certain Regard at the Cannes Film Festival 2023 and went on to win the Prix de La Liberte prize (Freedom Award).  Pierre was also cinematographer for the now-legendary Lesotho film It’s Not a Burial, It’s a Resurrection.  The workshop will be an interactive exchange with Pierre sharing experiences, tips and techniques aimed at broadening technical and aesthetic approaches to cinematography.

Workshop dates:

Johannesburg

Date: Friday, 13 October 2023

Time: 9:30 – 11:30

Venue: Wits Film School Theatre

 

Cape Town

Date: Monday, 23 October 2023

Time: 10:00 – 12:00

Venue: Baxter Theatre

Many of the films online also have Q & A’s following the viewing of the film – to further enhance the film festival experience.

Eswatini and Lesotho

In Eswatini and Lesotho meanwhile, where filmmaker development opportunities are far and few between, the festival hosts a 2-day workshop entitled The Architecture of the Film Script by Zornitsa Sophia, director of Mother.   This is an intensive closed programme for budding scriptwriters.

Mother, which opens the festival programme in Eswatini and Lesotho, is based on the story of Elena Panayotova, who also presents a workshop in both countries.  Drawing on her vast experience as a theatre director, academic and cultural activist, including extensive work in Africa, Panayatova will offer an open session called Performing Arts for Social Change. This 90 minute workshop will be of interest to performing artists, educators, social workers - any one interesting in applying theatre or performing arts for social change.  Enquiries about this workshop may be addressed to the Alliance Française in Mbabane and Maseru.

Visit www.eurofilmfest.co.za for film synopses, trailers, screening schedules and festival updates.

The European Film Festival 2023 is a partnership project of the European Union National Institutes for Culture (EUNIC), the Delegation of the European Union to South Africa and the participating European embassies of Belgium, Bulgaria, The Czech Republic, Denmark, France, Italy, The Netherlands, Poland, Portugal, Romania, Spain, Switzerland and Ukraine; as well as the cultural agencies of British Council, Camoes Institute of Portugal, Diplomatic Representation of Flanders, French Institute in South Africa, Goethe-Institut and Italian Cultural Institute.

 

The festival is organised in cooperation with Cineuropa, supported by Ster Kinekor, The Labia and coordinated by Creative WorkZone.

 

The special programmes in Eswatini and Lesotho are organised in partnership with the Delegations of the European Union to the Kingdoms of Eswatini and Lesotho respectively, and the Alliance française in Maseru and Mbabane.



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European Film Festival comes to Durban 12 - 22 October 2023

Film-lovers in Durban are in for a treat in October during the European Film Festival which runs from 12-22 October.  The festival has extended its reach beyond its principal cinema screenings in Johannesburg and Cape Town to include a special programme at Ster-Kinekor Gateway in Durban.

As co-director of the festival Magdalene Reddy explains: “Five of the most recent films this year will only show in cinemas: ANATOMY OF A FALL, GOODBYE JULIA , THE OLD OAK, THE TEACHERS LOUNGE, and MAVKA – THE FOREST SONG. Because they will not be available in the festival’s free countrywide online streaming programme we have scheduled a special showing for these five films for Durban, as well as in Johannesburg and Cape Town of course.  If extending the festival footprint to Durban in this way draws significant public interest perhaps this is something the festival can revisit again for future events.”

More about the Films:

The French film ANATOMY OF A FALL, astonishingly well-written and directed by Justine Triet, won the top prize at Cannes, the Palm d’Or.  Starring Sandra Huller, this part thorny family story, part whodunit, part courtroom drama, puts marital power dynamics under the microscope.  As Time Out magazine says;  ‘This is a thriller of real psychological, intellectual and emotional depth.’ 

 Veteran UK filmmaker Ken Loach’s latest work THE OLD OAK is an incisive social drama about an English village where there is anger, resentment and a lack of hope since the closing of the local mine.  What more could go wrong for the world-weary townsfolk?  That’s when the Syrian refugees move in….!   A timely story about modern Britain, immigration, xenophobia, and the need for compassion and understanding.

GOODBYE JULIA is a six-country coproduction (Sudan, Egypt, Germany, France, Sweden and Saudi-Arabia) and winner of the prestigious Prix de la Liberté (Freedom Award) at the Cannes Film Festival.  Directed by Mohamed Kordofani, GOODBYE JULIA tells the story a friendship between two women who represent the complicated relationship and differences between northern and southern Sudanese communities at a time of intense upheaval and transition in that country.

The smallest of decisions has seismic repercussions in THE TEACHERS’ LOUNGE.  When a young teacher decides to investigate theft at her school things escalate dramatically, not how she intends.  Crackling with tension, İlker Çatak’s film is about a lot of things — conformity, rebellion, racism, optics, and intergenerational mistrust.  THE TEACHERS’ LOUNGE swept up the top prizes at this year’s German Film Awards: Best Film, Best Direction, Best Actress, and Best Screenplay, and has just been selected as Germany’s submission for next year’s Oscars.

Carving a path to peace and a future beyond war, MAVKA – THE FOREST SONG, by directors Oleh Malamuzh and Oleksandra Ruban, is a family animation with key intrinsic messages, and the highest-grossing Ukrainian film ever. Poignant and uplifting, this gloriously animated story touches on themes of love, trust, and the coexistence of two worlds: people and forest creatures. And the transformative power of music!

Visit www.eurofilmfest.co.za for film synopses, trailers, and screening schedules.

The European Film Festival 2023 is a partnership project of the European Union National Institutes for Culture (EUNIC), the Delegation of the European Union to South Africa and the participating European embassies of Belgium, Bulgaria, The Czech Republic, Denmark, France, Italy, The Netherlands, Poland, Portugal, Romania, Spain, Switzerland and Ukraine; as well as the cultural agencies of British Council, Camoes Institute of Portugal, Diplomatic Representation of Flanders, French Institute in South Africa, Goethe-Institut and Italian Cultural Institute.

The festival is organised in cooperation with Cineuropa, supported by Ster Kinekor, The Labia and coordinated by Creative WorkZone.

 

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African-European Co-Pro to open European Film Festival in SA

The celebratory 10th edition of the European Film Festival in South Africa, opens with the African–European film GOODBYE JULIA, set in Sudan, at Ster-Kinekor’s The Zone in Rosebank, Johannesburg on 12 October.

Goodbye Julia directed by Mohamed Kordofani

GOODBYE JULIA is a remarkable six-country coproduction between Sudan, Egypt, Germany, France, Sweden and Saudi-Arabia, and the first film from Sudan ever to be presented in the Un Certain Regard competition at the Cannes Film Festival, where it won the prestigious Prix de la Liberté (Freedom Award).   

The film tells the story of two women who represent the complicated relationship and differences between northern and southern Sudanese communities. The multi-layered narrative takes place in Khartoum during the last years of Sudan as a united country, shortly before the 2011 separation of South Sudan.  

Supported by superb cinematography by South African Pierre de Villiers and a moving musical score by Sudanese musician Mazin Hamid recorded during ongoing clashes between the military and civil society in Khartoum, this is a powerful directorial debut by the largely self-taught filmmaker Mohamed Kordofani.  Pierre de Villiers, will be in attendance at screenings of the film in Johannesburg and Cape Town, and will also present cinematography workshops at film schools in both cities during the festival.

After kicking off the festival on 12 October, GOODBYE JULIA will have subsequent screenings on 22 October at The Labia, Cape Town, and on 21 October at Ster-Kinekor Gateway, Durban. 

African stories

Mother directed by Bulgarian Zornitsa Sophia

Connecting the festival more closely to the contexts and the continent in which this festival takes place, GOODBYE JULIA is one of three African stories in this year’s festival.  At the heart of the  film MOTHER, directed by Bulgarian Zornitsa Sophia, is the unfolding of the narrative in Kenya, where a theatre director undergoes profound transformation during her experiences at a local orphanage in Kibera, often called one of the biggest slums in Africa.  MOTHER is based on the true story of artist and cultural activist Elena Panyatova.   NAYOLA, directed by José Miguel Ribeiro, is a thrilling animated story about three generations of women plagued by the long civil war in Angola.  Based on a play by José Eduardo Agualusa and Mia Couto, NAYOLA is bold and thrilling storytelling alive with vivid eye-candy animation! 

Nayola irected by José Miguel Ribeiro

The European Film Festival runs from 12-22 October, with screenings in cinemas, as well as online. Visit www.eurofilmfest.co.za for the film synopses, trailers and screening schedules.

The European Film Festival 2023 is a partnership project of the Delegation of the European Union to South Africa; the participating European embassies of Belgium, Bulgaria, Czech Republic, Denmark, France, Italy, The Netherlands, Poland, Portugal, Romania, Spain, Switzerland and Ukraine; and the cultural agencies of British Council, Camoes Institute of Portugal, Diplomatic Representation of Flanders, French Institute in South Africa, Goethe-Institut and Italian Cultural Institute.  The festival is organised in cooperation with Cineuropa, supported by Ster Kinekor, The Labia and coordinated by Creative WorkZone.

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10th European Film Festival Programme 12-22 October 2023

Film Line-up for 10th European Film Festival

The European Film Festival in South Africa celebrates its 10th edition from 12-22 October with an inspired lineup of 16 new award-winning films screening in Johannesburg and Cape Town, with a special programme in Durban.  Featured countries are Belgium, Bulgaria, Czech Republic, Denmark, France, Germany, Italy, Netherlands, Poland, Portugal, Romania, Spain, Switzerland, United Kingdom and Ukraine, while the festival also features an African-European co-production film, set in Sudan.

Filmmaker engagements, community centre and schools’ programmes will deepen the festival’s reach, while the countrywide online programme of free screenings will run concurrently during the festival.  The festival will also present events at the Alliance Française in Eswatini (20-22 October) and Lesotho (20 – 29 October). 

The European Union’s Ambassador to South Africa, Sandra Kramer, said that “not only does the 2023 European Film Festival showcase some of the most acclaimed productions to have emerged from the film industries in the European Union and Europe, but the films provide thought-provoking perspectives on issues that are just as meaningful to South Africans as they are to people everywhere. We hope this festival will strengthen connections between Europe and South Africa, and its immediate neighbours, Eswatini and Lesotho. May this festival stimulate discussion and new ideas around our shared experiences, hopes and dreams, as together we face our ever-changing world.”

Transition

The festival theme this year is Transition, as the films offer a cinematic reflection of the transition people go through during our turbulent and fast-moving times.

As festival co-director and curator Peter Rorvik explains; “There can be numerous transitional moments in a lifetime; awakenings, re-awakenings, renewal of purpose, our self-understanding, of who we are, and our direction in life.  Transition is, in essence, a response to change, a process of managing change, or making a change. 

All these elements of transition feature prominently in the line-up of films on offer this year.  The illuminating power of cinema transports us deeply into these experiences, milestones, growth points and turning points, which offer resonance with our own life journeys, and the shared life journeys of those around us”.

The Films

The festival includes two films which were jointly awarded the Grand Jury Prize at the Cannes Film Festival in 2022: 

From Italy

Set in the breath-taking Italian Alps, THE EIGHT MOUNTAINS is a compelling character-driven drama directed by Charlotte Vandermeersch and Felix van Groeningen.  Gorgeously shot, this film offers a deeply textured glimpse into the bonds of friendship, the journeys of self-discovery, and the relationship between humans and nature.

 

From Poland

The Oscar-nominated film EO, directed by the legendary Jerzy Skolimowski, is an innovatively-conceived road movie with a difference; it is seen almost entirely from a donkey’s perspective.  This beguiling and often-harrowing tale of a donkey is both thrilling and empathetic, compelling us to see the world differently.         

 There are three films fresh from the most recent Cannes festival in May 2023:

 From France

ANATOMY OF A FALL, astonishingly well-written and directed by Justine Triet, won the top prize at Cannes, the Palm d’Or.  This part thorny family story, part whodunit, part courtroom drama puts marital power dynamics under the microscope.  As Time Out magazine says;  ‘This is a thriller of real psychological, intellectual and emotional depth.

From the United Kingdom

In THE OLD OAK, veteran filmmaker Ken Loach has made an incisive social drama about an English village where there is anger, resentment and a lack of hope since the closing of the local mine.  What more could go wrong for the world-weary townsfolk?  That’s when the Syrian refugees move in….this will be a time of transition for everybody!

African-European collaboration in Sudan

GOODBYE JULIA is a six-country coproduction film (Sudan, Egypt, Germany, France, Sweden and Saudi-Arabia) and winner of the Cannes Film Festival’s prestigious Freedom Award.  Directed by  Mohamed Kordofani, GOODBYE JULIA tells of the friendship between two women who represent the complicated relationship and differences between northern and southern Sudanese communities at a time of intense upheaval and transition. South African cinematographer for the film, Pierre de Villiers, will present workshops at the festival.

Discovering and affirming one’s identity is not a straight-forward process for all., especially in relation to gender norms. As evidenced by the following two films, this is all the more challenging for the very young who face enormous pressures as they attempt to find their place in the world, and within themselves:

From Spain

20,000 SPECIES OF BEES by Estibaliz Urresola Solaguren focuses on an eight-year-old child who asks “How come everyone knows who they are and I don’t?”  Beautifully delivered, this richly textured chronicle of an 8-year-old’s gradual transitioning, and the effect it has on a family, is ultimately about tolerance and acceptance.

From Belgium

The Oscar nominated CLOSE by Lukas Dhont has been winning major awards for its sensitive portrayal of how the pressures of masculinity shatter the innocent friendship of two 13-year old boys.  CLOSE is an emotionally transformative portrait of the intersection of friendship and love, identity and independence, heartbreak and healing, and of necessary transition.

Two films about responding to the unforeseen circumstances that sometimes surprise and challenge us:

 From the Netherlands

In Martijn de Jong’s NARCOSIS, an adventurous, eccentric and fun father fails to resurface during a cave-dive, and we see how his family responds in unique but very relatable ways as they transition to new lives.  This deeply touching story about love, loss and acceptance won four Golden Calf awards at the Netherlands Film Festival and was the Dutch submission to the Academy Awards. 

From Germany

The smallest of decisions has seismic repercussions in THE TEACHERS’ LOUNGE.  When a young teacher decides to investigate theft at her school things escalate dramatically, not how she intends.  İlker Çatak’s film is about a lot of things — conformity, rebellion, racism, optics, and intergenerational mistrust.  The film swept up the top prizes at this year’s German Film Awards, and has just been selected as Germany’s submission for next year’s Oscars.

Coming-of-age processes are integral to making transitions in life: 

 From Denmark

Will a dream dictate life or death?   AS IN HEAVEN, by director Tea Lindeburg, takes place in turn-of-the-century rural Denmark, where a mother goes into a complicated labour, thereby accelerating the growing-up process for 14-year-old Lise, a process that can be bewildering as well as joyful. AS IN HEAVEN highlights woman-centred experiences that remain just as relevant today.

From Switzerland

Barbara Kulcsar’s feel-good comedy GOLDEN YEARS shows that coming-of-age can come at any time.   As a newly retired husband and wife discover, it’s never too late to find the courage to make a change in life.   And growing old is certainly not for sissies!  GOLDEN YEARS was a breakout hit at the Swiss box office, ranking as the most successful Swiss feature film since the beginning of the pandemic.

New participants Bulgaria and Romania have films in the festival for the first time this year:

From Romania

MIKADO, directed by Emanuel Pârvu, is a fast-paced drama about power dynamics in a Romanian family.  Teenager Magda offers her expensive necklace to a sick child, thereby creating conflict with her controlling father.  A complicated situation develops where every action has consequences…

From Bulgaria

Inspired by a true and transformative story, Zornitsa Sophia’s MOTHER starts out with a theatre director in Bulgaria struggling to come to terms with her inability to have a child, and progresses to her discovering a new and culturally challenging kind of motherhood in Kenya. The director Zornitsa Sophia will attend the festival accompanied by the remarkable artist and cultural activist Elena Panayotova, on whom the story is based.

Adding an exciting new dimension to the festival are two extraordinary animations: 

From Ukraine

Carving a path to peace and a future beyond war, MAVKA – THE FOREST SONG, by directors Oleh Malamuzh and Oleksandra Ruban, is the highest-grossing Ukrainian film ever. Poignant and uplifting, this animated story touches on themes of love, trust, and the coexistence of two worlds: people and forest creatures, and the transformative power of music!

From Portugal

José Miguel Ribeiro’s film NAYOLA brings us much closer to home. A painful secret, a reckless search, a combat rap-song, a suspended love, an initiatory journey - NAYOLA is about three generations of women plagued by the long civil war in Angola.  Based on a play by José Eduardo Agualusa and Mia Couto, NAYOLA is bold and thrilling storytelling alive with eye-candy animation! 

Finally, from the Czech Republic

Petr Václav’s IL BOEMO (THE BOHEMIAN) is a special treat for music lovers.  Prolific 18th century composer Josef Mysliveček was admired by Mozart, but forgotten by history.  This biopic includes Mysliveček’s romantic dalliances, revealing backstage intrigue, and the colourful lifestyles of the era.  Centrally of course, there is glorious music featuring some of the world's leading operatic soloists performing with the renowned Baroque Orchestra Collegium 1704. 

 The Screenings

Screenings take place at Ster-Kinekor’s The Zone in Johannesburg, and The Labia in Cape Town. Each film will screen  once. Ster-Kinekor Gateway in Durban will present a limited programme of films not available in the online streaming.  Five of the most recent films will only show in cinemas: ANATOMY OF A FALL, GOODBYE JULIA , THE OLD OAK, THE TEACHERS LOUNGE and MAVKA – THE FOREST SONG.   11 films can be viewed for free online. Visit www.eurofilmfest.co.za for more information.

The European Film Festival 2023 is a partnership project of the European Union National Institutes for Culture (EUNIC), the Delegation of the European Union to South Africa and the participating European embassies of Belgium, Bulgaria, The Czech Republic, Denmark, France, Italy, The Netherlands, Poland, Portugal, Romania, Spain, Switzerland and Ukraine; as well as the cultural agencies of British Council, Camoes Institute of Portugal, Diplomatic Representation of Flanders, French Institute in South Africa, Goethe-Institut and Italian Cultural Institute.

The festival is organised in cooperation with Cineuropa, supported by Ster Kinekor, The Labia and coordinated by Creative WorkZone.

The special programmes in Eswatini and Lesotho are organised in partnership with the Delegations of the European Union to the Kingdoms of Eswatini and Lesotho respectively, and the Alliance française in Maseru and Mbabane.

 

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4 days left for European Film Fest - ends 23 October

Four days left to catch award-winning films at European Film Festival SA (Online and in Cinemas)

There are only 4 days left to catch 15 award-winning films at the European Film Festival. The fest is currently running online, and has screenings at The Labia and The Zone, in Rosebank, Johannesburg until 23 October.

 

The fest offers 16 films, with one, the Oscar-nominated The Worst Person in the World, having sold out in its 3-day limited period of screening, and some pending sell-out in the next day or two.

 

Each film has one screening in cinemas, with online screenings available across South Africa, but with a cap on the number of views per film.  Some films will soon have reached this cap, so film-lovers are encouraged to go online and watch soon.

 

There are insightful online Q & A’s conducted by local creatives available on the fest website.

· Laura Samani (Small Body) interviewed by Khwezi Becker

· Elie Grappe (Olga) interviewed by Yolanda Mogatusi

· Maryna er Gorbach (Klondike) interviewed by Mitchell Harper

· Erik Poppe (The Emigrants) interviewed by Yolanda Ncokotwana

· Stefan Arsenijević (As Far As I Can Walk) interviewed by Welile Masuku

· Aga Woszczyńska (Silent Land) interviewed by Khwezi Becker

· Sebastian Meise (Great Freedom) interviewed by Tiny Mungwe

· Shariff Korver (Do Not Hesitate) interviewed by Menzi Mhlongo



Q&As are located on the website here: https://www.eurofilmfest.co.za/2022-home/q-a-sessions/
 

Tickets for The Labia are R70 and for The Zone R80. Online screenings are free.

 

Visit www.eurofilmfest.co.za for more information or to book online for the European Film Festival.

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European Film Festival in eSwatini and Lesotho

European Film Festival in eSwatini and Lesotho.

 

As part of the European Film Festival in South Africa a 3-day film programme will take place at the Alliance Française in Mbabane between 21 and 23 October, and at the Alliance Française in Maseru between 28 and 30 October.

Films for eSwatini and Lesotho

This Is Not A Burial, It’s a Resurrection

This year’s extension to Lesotho and eSwatini is an opportunity for new audiences to see award-winning films that are unlikely to reach local screens in these countries.  Due to technical conditions, the Alliance Française line-up is different from that in South Africa. A cornerstone of the programme is the presentation of two landmark films that have emerged out of both countries in recent years.  The multi-award winning Sotho film, This Is Not A Burial, It’s a Resurrection is the only film ever submitted to the Academy Awards by Lesotho.  Directed by Lemohang Jeremiah Mosese, it is the story of an 80-year old widow who ignites the spirit of resilience within her community when her village is threatened with forced resettlement due to the building of a dam.   In the exceptional Swazi story Liyana, five orphaned children under the guidance of story-teller Gcina Mhlophe, transform past personal trauma into an original tale about a girl named Liyana.  Directed by Aaron and Amanda Kopp, this well-crafted mix of animation and documentary has won awards all over the world for Liyana.   This Is Not A Burial, It’s a Resurrection and Liyana demonstrate the exciting potential for filmmaking that exists in Lesotho and eSwatini.

 

As Far as I Can Walk

Migration is a way of life for many in Lesotho and eSwatini who travel to South Africa and other destinations searching for work or a new life.  Three of the films in the festival look at migration from different perspectives.   As Far As I Can Walk, the Serbian/ French/ Luxembourgian/ Bulgarian/ Lithuanian co-production directed by Stefan Arsenijević, highlights that it’s not just securing a roof over one’s head but also the challenges of emotional and intellectual deprivation that young migrants in Europe face today.  The Oscar-nominated film The Man Who Sold His Skin directed by Kaouther Ben Hania is a unique co-production between Tunisia, France, Germany, Belgium, Sweden, Turkey and Cyprus that uses the tension between art and commerce as fuel for a sobering story about a Syrian refugee who allows his back to become a canvas for a famous tattoo artist.  Austrian Arash T. Riahi’s Oskar and Lilli: Where No-one Knows Us focuses on two Chechen refugee children living in Austria who are separated from their mother and how their hopes of being reunited with her sustain their lives in challenging circumstances.

 

Supa Moda

Completing the programme at the Alliance Française, in both eSwatini and Lesotho, are the films France and Supa Modo. The high-paced France by French filmmaker Bruno Dumont takes a satirical look at modern media through the life of a celebrity journalist who loses confidence as she experiences an identity crisis.  A choice for families and younger audiences alike is Likarion Wainaina’s German-Kenyan production Supa Modo, the heart-warming story of a young girl whose dream of becoming a superhero is threatened by terminal illness, and how her village rallies together to make her dream come true.

 

Film screenings will be free, visit the Screenings page of https://www.eurofilmfest.co.za for more information on the programmes in eSwatini and Lesotho.

Accessing the South African online programme

Exciting news for film-lovers is that films from the South African programme will be available online in both eSwatini and Lesotho between 13-23 October. 

 

The European Film Festival 2022 is a partnership project of the Delegation of the European Union to South Africa and 14 European embassies and cultural agencies in South Africa: the Embassies of Austria, Belgium, Georgia, Italy, the Netherlands, Poland, Portugal, Spain, Sweden, Switzerland, Ukraine, and the British Council, Camoes Institute of Portugal, French Institute in South Africa, Goethe-Institut, Italian Cultural Institute and Wallonie-Bruxelles International. The festival is organised in cooperation with Cineuropa and coordinated by Creative WorkZone.

The 2022 festival in Lesotho is presented in partnership with the EU Delegation to Lesotho and the Alliance Française.



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Durban Link for European Film Festival - Fernando Pessoa, celebrated Portuguese Poet

Local Durban link to Portuguese film at European Film Festiva

One of the films showing at the 8th European Film Festival,  which is online and free between 14 and 24 October, is the Portuguese film The Year of the Death of Ricardo Reis – which has an interesting connection to Durban

It’s a beautifully shot black and white film, based on the novel by Jose Saramago, who won the Nobel Prize for Literature in 1998. The character - Ricardo Reis -  is a persona created by Fernando Pessoa, and Pessoa's ghost is a central part of the film.  Fernando Pessoa was one of the greatest of Portuguese poets and is, not everybody knows, an alumni of Durban High School – there is a bust of Pessoa in the Durban CBD.

Film Synopsis for The Year of the Death of Ricardo Reis

Fernando Pessoa, one of the greatest writers of the Portuguese language, established a gigantic parallel universe creating a series of heteronyms to survive his loneliness of genius. Nobel laureate of literature José Saramago wrote this novel about one of these heteronymous characters, Ricardo Reis, a fictitious author, with unique personality and style, who returns to Portugal, after 16 years of exile in Brazil. 1936 is the year of all danger, Mussolini's fascism, Hitler's Nazism, the terrible Spanish civil war and Salazar's Estado Novo in Portugal, but this is all a delicate backcloth to Ricardo's dalliances with women and his mysterious encounters with the ghost of Fernando Pessoa.

"The Year of the Death of Ricardo Reis is a unique and magnificent work by José Saramago, but if there is another way of telling this novel, equally unique and magnificent, it is this film unravelling by veteran director João Botelho.Botelho's screenplay and direction is crucially supported by João Ribeiro's beautiful black and white cinematography, fostering a unique aesthetic-narrative construction for the telling of this story.’ . Carolina Alves, C7nema

Reviews

In a perfect filmology of sensations, the small gestures, looks, intimate close shots, tell us of memories, thoughts, and secrets in a visually poetic manner that is transcendent of text or dialogue. Carolina Alves, C7nema

Botelho films exquisitely between light and shadow, with a visual richness reminiscent of the best of French impressionism and a tempo that sways the senses.  Seville Festival

This film adaptation treats characters and circumstances with a solemnity reverent to the Nobel prize-winners book, enveloping the celebration of the word with a framework that is close to meta-language. Marcello Muller, Papo de Cinema

Visit www.eurofilmfest.co.za for more on the free online festival of 18 new films and to access the screenings.

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European Film Festival 2021: virtual and free of charge


Media Release

European Film Festival 2021: virtual and free of charge

Following the success of last year’s virtual European Film Festival, the 2021 edition will take place predominantly online from 14 to 24 October. 

A selection of 18 films from Europe, 13 of which have been directed by women, will be screened free of charge, providing a window onto what is fresh and new in the film industries of the respective countries. Four new participants – the Czech Republic, Denmark, Switzerland and Ukraine – will complement those from last year: Austria, Belgium, France, Germany, Ireland, Italy, Lithuania, the Netherlands, Poland, Spain, Sweden, and the United Kingdom, along with the return of Portugal.

 This is reflected in the theme of this year’s festival, Healing Journeys.  Healing – be it mental, physical, spiritual or societal – is vital to the human condition, to our humanity, to our existence.  This applies in both South Africa and in Europe, where despite our different contexts and histories, there exists common experience and a mutual need for healing.

 The films on show will present, through the lenses of European filmmakers, a snapshot of experiences of re-establishing oneself after sometimes traumatic and possibly cathartic experiences. They deal with journeys that include organic growth, transition, and processes of self-discovery.  Many include a healthy dose of humour, bringing some possibly much-needed laughter into our lives. Much of the humour is of a more cerebral nature … films that make you smile and think at the same time. 

Essentially, these films present stories of hope, humanity and thought-provoking intrigue, show-casing new work by some of Europe’s most accomplished filmmakers alongside exciting new talent. 

We are deep into our second year of confronting the threat of Covid-19, both in terms of our lives and our livelihoods. It has been difficult … everyone is affected. This year’s European Film Festival has been inspired by overcoming difficulty and challenge. Its theme, Healing Journeys, seems rather appropriate for our times. I take this opportunity to invite you – irrespective of whether you are a repeat or a first-time viewer –to join us on this year’s exciting cinematic, and healing, journey,” says   EU Ambassador Riina Kionka.

 

The Films:

Here is a brief look at the 2021 line-up of films, nearly all of which have won awards, with the newer films also certain to do so. 

Austria

A woman needs a new kidney, but is her husband ready to donate?   Michael Kreihsl’s Risks and Side Events is a lively comedy about marriage, hypochondria, friends, architects, secrets, and taking risks.  

Belgium

Jan Verheyen and Lien Willaert’s film Save Sandra is based on the true and highly topical story of a girl diagnosed with a rare muscular disease, and her father’s fierce battle with the pharmaceutical industry to gain access to medical treatment, raising ethical and societal questions in the process.

Czech Republic

Agnieszka Holland’s politically charged drama Charlatan takes us inside the conflicted life of a non-conformist herbalist, exploring his unshakeable commitment to his calling, the illicit relationship with his assistant, as he perseveres first under Nazi then Communist regimes in Czechoslovakia.

Denmark

The 2021 Oscar for Best International Feature Film went to Thomas Vinterberg’s Another Round, in which four jaded high school teachers embark on a risky experiment to maintain a constant level of intoxication throughout the workday. Mads Mikkelsen is at his scintillating best in this mature blend of comedy, tragedy, and human behaviour. 

France

Starring Gérard Depardieu and Déborah Lukumuena, Robust is an outstanding feature debut by Constance Meyer about an aging film star and a young security guard responsible for watching over him.  Despite their differences, life has shaped them in ways more similar than they thought, and their unlikely friendship becomes a search for authenticity, laden with intrigue and humour. 

Germany

In Mr Bachmann and His Class the ever-patient teacher uses unconventional methods to inspire his young citizens-in-the-making with a sense of curiosity and appreciation of the complex social and cultural realities of their worlds.  Maria Speth’s life-affirming documentary beautifully highlights what a quietly spectacular process education can be.  

Ireland

Ruth Meehan’s The Bright Side is a moving and uplifting story about a stand-up comedian diagnosed with breast cancer.  Armed with cynicism and blackly comic jokes, her exit strategies are upended when she encounters four powerful women whose unsolicited friendships challenge her, soften her and ultimately blow open her shut-down heart.

Italy

On the face of it, the brightly paced comedy Parents vs Influencers, directed by Michela Andreozzi, seems to focus on the world of social media and influencers, but the heart of it is about change and resistance to change. And father-daughter relationships!  And family!

Lithuania

A high-seas jump from a Soviet ship to a US vessel in an attempt for political asylum goes horribly wrong.  About an ordinary man who became a symbol for freedom-seeking refugees everywhere, director Giedrė Žickytė’s The Jump takes us on a stranger-than-fiction journey that reaches all the way up to the White House.  

The Netherlands

Antoinette Beumer’s My Father is an Airplane is about a woman’s poignant search for the puzzle pieces of her past, a journey that raises questions about parental boundaries, the risks and dangers of childhood as well its joys, and of what it means to be loved and understood.  

Poland

Never Gonna Snow Again is writer/ director Malgorzata Szumowska’s exquisitely off-beat story about how a masseur and hypnotist gains acceptance and stature in a wealthy gated community, touching on class, immigration, and global warming. 

Portugal

With magnificent black and white cinematography, João Botelho’s The Year of the Death of Ricardo Reis brings to screen José Saramago’s novel about a fictitious author’s homecoming, his romantic dalliances, and his mysterious encounters with the ghost of Fernando Pessoa.  

Spain

Icíar Bollaín’s gem of a romantic comedy Rosa’s Wedding concerns a woman making radical changes in her life, and this includes a surprise wedding, much to the dismay of her family. A film about self-empowerment and gaining independence.

Sweden

Run Uje Run is an biographical music dramedy about the way life takes turns you could never have imagined.  Henrik Schyffert’s directorial debut features musician and actor Uje Brandelius playing himself in this unusual and darkly witty indie drama about appreciating what you have.

Switzerland

Writer-director duo Stéphanie Chuat and Véronique Reymond’s, My Little Sister is an intimate, personal tale about sibling love in which a sister gives her all to support her ailing twin brother, and inspires herself at the same time. A powerful look at the bonds both breakable and unbreakable in family. 

Ukraine

Kateryna Gornostai’s Stop-Zemlia anchors its open-ended narrative around an introverted schoolgirl and her classmates in this sympathetic portrait of the tidal forces of teenage-hood. A deeply personal story about self-discovery and the patience it requires.  

United Kingdom

In Aleem Khan’s ground-breaking feature debut After Love, Joanna Scanlan puts in a phenomenal performance as a white, English Muslim convert uncovering secrets after the death of her husband, while exploring complex themes of loss, cultural identity and reconciliation. 

Special Co-Production Presentation 

Oscar nominee Jasmila Žbanić’s  Quo Vadis Aida? is an extraordinary co-production between nine European countriesin which a UN translator is caught between doing her job and trying to help local inhabitants and her own family when the Serbian army takes over the small town of Srebrenica.  

Please note that the films are geo-blocked for viewing in South Africa only.  For film synopses, trailers and how to watch, please visit www.eurofilmfest.co.za

The European Film Festival 2021 is a partnership project of the Delegation of the European Union to South Africa and 17 European embassies and cultural agencies in South Africa:  the Embassies of Austria, Belgium, Czech Republic, Denmark, Ireland, Italy, Lithuania, the Netherlands, Poland, Portugal, Spain, Sweden, Switzerland, Ukraine, and the British Council, Camoes Institute of Portugal, Diplomatic Representation of Flanders, French Institute in South Africa, Goethe-Institut, and Italian Cultural Institut. The festival is organised in cooperation with Cineuropa and coordinated by Creative WorkZone.

 

Shabnam Palesa Mohamed reviews Mogul Mowgli - directed by Bassam Tariq, starring Riz Ahmed (European Film Fest SA)

MOGUL MOWGLI- reviewed by Shabnam Palesa Mohamed

(12 November - 22 November - online and free at European Film festival SA)

Making a film that has both art and commercial appeal is a stand-up and applaud feat. In fact, if I wasn’t watching this film from the comfort of my home, I might stand up in the cinema, and slow clap.

Riz Ahmed in Mogul Mowgli

Riz Ahmed in Mogul Mowgli

Mogul Mowgli nails this Holy Grail appeal with authentic, out-the-box imagination. It’s a film about Zaheer Anwar – a British-Pakistani rap artist whose slam poetry speaks to being a POC, identity, the challenges of immigration, assimilation, and love - certainly some of the best rap lyrics written for screen. I was reminded of Eminem film, 8 Mile. Except this time, I could relate to the character better.

Anwar’s mother adores him, but it is his loving father who is his champion. On a trip home to visit his doting parents, who he hasn’t seen in two years, there are relatable scenes where he is called a “coconut” for changing his name from Zaheer to Zed. Just one week before he goes on a dream rap tour to Europe, Anwar increasingly loses feeling in his legs, gets into a scuffle with a fan, and collapses outside a mosque that he hasn’t been to, in years. There’s also an amusingly ridiculous debate scene involving a marijuana joint that Muslims and non-Muslims may understand. You decide who is right!

Still from Mogul Mowgli

Still from Mogul Mowgli

His hospital chapter is fascinating. From discussions about chilli rituals to ward off nazr or the “evil eye” that made him sick, to his father arranging traditional cupping (hijama) treatment to heal his legs. But the scenes that stand out - because we are never told who he is - are Anwar’s hallucinations of a mysterious man with a flower veil who bizarrely stalks him.  As a child, Anwar saw this man at a Qawaali (Sufi style singing) event at his father’s modest restaurant. These scenes are interspersed with surreal, almost time travel-like scenes of Anwar on a train his father fled in after the British colonial partition of India. Because of this pain, Anwar seeks POC unity with African-American rappers.

It turns out Anwar has a hereditary auto-immune disease, which he is angry at his father for not telling him about. Meanwhile, his father does everything, from bathing him, to pray for him. His manager becomes stressed about the rap tour and brings in a replacement, a typical “Gucci gang” mumble rapper, who Anwar despises for polluting the art of conscious lyrics. Anwar is forced to sell one of his songs to the third eye tattooed fan, almost as painful for him as his mom working at a grocery store.

Riz Ahmed

Riz Ahmed

Bismillah, Anwar has a biopsy. He is told his disease is degenerative and chronic. There is an experimental treatment, but it comes with chemo-like side effects and possible infertility. He is advised to save his sperm before the infusion treatment. His ex-girlfriend Bina phones just as he awkwardly stares at the ‘material’ intended to motivate him to release sperm - to be frozen just in case he wants kids. Bina doesn’t want to get back together; Anwar’s career has always been a priority.

Nelson Mandela makes an appearance, well, his name anyway. RPK the sex lyrics rapper says “Without apartheid, there would be no Mandela. Without you, there would be no me”. Ahmed’s acting is so brilliant, I could sense him wanting to mentally vomit. Gaunt and weak, there is a heart-breaking scene where Anwar, on the floor, has his stressed, arguing parents removed from his hospital room. Having recovered from a rare form of leukaemia myself, I could relate to his anguish, and his parent’s grief.

The closing scene, of his traditional father rapping with him as he sits on the toilet, is probably my favourite. But it’s the last shot that lingers in my mind. He looks towards the camera, and his expression changes. Did he see the veiled man again? Was it him or his father hiding on that train? Who was laying on the floor in the hospital? What was on his face after his seizure? The EUFF organisers chose the perfect film to whet my appetite to watch the other eleven! Bravo to the writers Riz Ahmed and Bassam Tariq. Does Zed recover? You will have to watch, and like me, will him to walk.

Catch this and 11 other films at the European Film Festival (12-22 November - online - click on this link to book - https://films.eurofilmfest.co.za/

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Shabnam Palesa Mohamed is an award-winning activist, author, poet, radio journalist, and former documentary filmmaker. She manages the Centre for Fine Art, Animation and Design in Durban.

Shabnam Palesa Mohamed

Shabnam Palesa Mohamed

Climate Action Activities during European Film Festival

Sharpening the spear for climate justice and building back better after Covid-19

 

One of the films in this year’s European Film Festival is I am Greta the new documentary on Greta Thunberg, the Swedish teenager whose quiet yet laser-sharp focus has generated massive public attention on climate change, and inspired a generation of young activists.  The film will be screened online in South Africa, from 12 to 22 November, and will be augmented by a number of climate action activities including a live discussion on Friday, 13 November at 18:00 (SA Time).

 

Climate change is undoubtedly one of the greatest crises humanity has ever faced. In 2015, 196 countries signed the Paris Climate Accord to reduce greenhouse gas emissions and slow global warming. There are many who say the Paris Climate Agreement does not go nearly far enough to address the urgencies, or the imperative of climate justice. Another question is how effective the commitments are in practice. Signing a non-binding Agreement is one thing, but implementation is another – especially here in the world’s most unequal country, where an internal Global North way overproduces and overconsumes our fair share of the continent’s emissions. This hard-to-hear reality underscores the importance of both climate action and climate justice organisations and watchdogs. They monitor progress or shortcomings, and hold governments, corporations, the wealthy and multilateral transgressors accountable. 

 

Sharpening the spear

The festival’s climate programme includes screenings of the I am Greta documentary and awareness discussions in schools and community centres around the country and the live Zoom event Climate Justice South Africa: sharpening the spear.  This Zoom event brings pertinent experts together for a series of short presentations articulating the status of local climate change impacts, and outlining mitigation strategies, initiatives, and ways forward for South Africa.

 

In a presentation entitled From Climate (in)Action to Climate Justice, an author of numerous books and articles, Professor Patrick Bond of the University of the Western Cape School of Government, will offer an overview of climate politics and projects in South Africa. His critiques are razor sharp, and tackle the UN, national and municipal governments, corporations and activists, in turn. 

Ulrich Steenkamp of  Earthlife Africa

Ulrich Steenkamp of Earthlife Africa

 

From the renowned advocacy and activist group Earthlife Africa, Ulrich Steenkamp’s  presentation on Energy Democracy is framed against the democratic rights of the citizens of this country, the need for access to clean energy, and for participation in decision-making processes. 

 

Avena Jacklin of the Pietermaritzburg-based NGO groundWork/Friends of the Earth South Africa  addresses Environmental Protection Urgencies. She connects the dots from climate to the devastating water crises – droughts and periodic floods – and the importance of reshaping management of this basic resource. 

Ayakha Melithafa from the Africa Climate Alliance.

Ayakha Melithafa from the Africa Climate Alliance.

 

The younger generation is whose future is most at stake, as explained by Ayakha Melithafa from the Africa Climate Alliance. What innovative approaches do the youth bring to advocacy efforts and awareness campaigns, how does Youth Activism feed into policy and legislative processes so that South Africa is able to address the challenges with integrity, fairness and justice? What ecological and social rights do we need to recognise what must be ensured for future generations? 

 

All the member states participating in this European Film Festival are signatories to the Paris Agreement. South Africa is a signatory. Now that the United States is going to rejoin Paris, once Donald Trump vacates the White House next January 20, a global-to-national-to-local scan is vital. Greta Thunberg teaches us how to do this through the idealistic eyes of the youth, and we must turn a laser glare to addressing this greatest crisis humanity has ever faced, especially since the “Just Transition”, “decarbonisation” and “Build Back Better” refrains are still being heard from the South African presidency. This Live Zoom discussion is a reminder of the climate catastrophe and a call to action, to all of us. Access the event at 18.00 (SA time) on Friday 13 November through a link from the Special Events page on www.eurofilmfest.co.za.

Fikile Ntshangase, the anti-mining activist wy

Fikile Ntshangase, the anti-mining activist wy

This event is dedicated to the memory of Fikile Ntshangase, the anti-mining activist who was assassinated on 22 October. Ntshangase was the deputy chairperson of the Mfolozi Community Environmental Justice Organisation (Mcejo), which has stood steadfastly against the Tendele Coal Mine’s expansion in the Somkhele village area.

 

The European Film Festival 2020 is a partnership project of the Delegation of the European Union to South Africa and 12 other European embassies and cultural agencies in South Africa:  the Embassies of Austria, Belgium, Ireland, Lithuania, the Netherlands, Poland, Spain, Sweden and Wallonie-Bruxelles International, the French Institute in South Africa, the Goethe-Institut, the Italian Cultural Institute, and the British Council. The festival is organised in cooperation with CineEuropa and coordinated by Creative WorkZone.

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Free special events programme at the European Film Festival in South Africa

Special events programme at the European Film Festival in South Africa

A programme of free special events and filmmaker engagements will augment the European Film Festival which kicks off its 2020 edition on 12 November with free online screenings of new European films.  

To enrich the viewer experience a number of pre-recorded Q&A sessions with the directors will be available immediately after the screening of certain films.   In addition, a series of live online discussions will keep the conversations flowing during the festival footprint. “We live in a new world of COVID protocols so the pre-recorded interviews and online engagements are a good way to maintain the connection to the filmmakers, hear about the filmmaking processes, and discuss topical issues,” explains Magdalene Reddy, co-director of the festival.

 Online Engagements

To synergise with the new documentary on Greta Thunberg, an online event called Climate Action South Africa – sharpening the spear will focus attention on the climate crisis in this country.  This 6pm discussion on 13 November will feature presentations from Earthlife Africa’s Ulrich Steenkamp on Energy Democracy, Groundwork’s Avena Jacklin on Environment Protection Urgencies, African Climate Alliance’s Ayakha Melithafa on the crucial role of Youth Activism, and the University of Western Cape’s Patrick Bond on the shift from Climate Action to Climate Justice and the ways forward for South Africa.

Using the film Sweat as a starting point the discussion Social Media and Me – who is winning? with director Magnus von Horn and clinical psychologist Dr.Khosi Jiyane will take a prescient look at the impact of social media on individuals and society, and how we manage our actual and virtual realities. Catch it on 16 Nov at 6pm

On Tuesday 17 November (6pm)  Griet Op De Beeck, Flemish author of the award-winning book Kom Hier Dat Ek Jou Kus joins Sabine Lubbe Bakker and Niels van Koevoerden, the directors of Becoming Mona, which is based on the book, to explore the process of Transforming Books to Film. Also participating in this discussion is Oscar-winning Stefan Ruzowitzky whose film Narcissus and Goldmund is an adaption of Hermann Hesse’s legendary novel of the same name.

The following evening (18 November at 6pm) Op De Beeck will discuss her book on the occasion of the launch of its translation into Afrikaans as Kom Hier Dat Ek Jou Soen.

Wednesday 18 November (6pm) also brings Films and Fake News- an unfortunate true story where filmmakers and investigative journalists discuss the use of film in spreading fake news and exposing fake news.  It features Johannes Naber, director of Curveball, and German journalist Holger Stark, in discussion with Diana Neille and Richard Poplak, directors of Influence which has been winning awards around South Africa since its premiere at Sundance earlier this year.

The festival film The 8th focuses on the campaign to repeal the 8th amendment which criminalised abortion in Ireland. Expanding on the issue of reproductive rights in South Africa is a webinar entitled Making the Right to Choice a Reality taking place on Thursday 19 November  (2pm) and featuring leaders of the Irish campaign in discussion with local specialists.

On Friday 20 November (6pm) is the discussion Filming Unspoken Histories – Sylvia Vollenhoven in conversation with Lucas Belvaux. Here the director of Home Front discusses the making of his film with a focus on the uncovering of toxic or buried histories and its impact on societies and individuals.  

Community Centre and school programmes

There will also be a regulated programme of physical events at selected community centres and schools where screenings of the films I am Greta and Sweat will be followed by mediated discussions on the film topics of climate action and social media.  Participating community centres include Isivivana Centre in Khayalitsha, the Ahmed Kathrada Foundation Youth Activism programme,  and Windybrow Arts Centre in Johannesburg, Wushwini Arts Centre and the Wilderness Leadership School in Durban.  The Climate Action programme at Isivivana Centre will also include three short films and discussion with local ocean activists, Loyiso Dunga, Faine Loubser and Mogamet Shamier, whose work highlights the wonders of the Cape ocean and the Great African Sea Forest.

For more information about the various special events visit the Events page on www.eurofilmfest.

The European Film Festival 2020 is a partnership project of the Delegation of the European Union to South Africa and 12 other European embassies and cultural agencies in South Africa:  the Embassies of Austria, Belgium, Ireland, Lithuania, the Netherlands, Poland, Spain, Sweden and Wallonie-Bruxelles International, the French Institute in South Africa, the Goethe-Institut, the Italian Cultural Institute, and the British Council. The festival is organised in cooperation with CineEuropa and coordinated by Creative WorkZone.

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European Film Festival 2020 Goes Virtual - 12-22 Nov

European Film Festival 2020 Goes Virtual - 12-22 November 2020

This year’s European Film Festival goes virtual with an excellent line-up of twelve brand new films, all of which are premiere screenings in South Africa. Of these eleven films are screened free of charge and one will collect a fee towards a worthy cause.  

Emphasising her support for the festival’s continuity despite the challenges presented by the coronavirus pandemic, EU Ambassador to South Africa, Dr Riina Kionka, said: “Twelve films in eleven days shows the determination of this European partnership to overcome difficult circumstances. Since my arrival in South Africa this is my second European Film Festival:  I can tell you that it is a cultural highlight not to be missed. In addition, I invite you to participate in the various special events lined up during the Festival!”  

Old Worlds and New 

Invoking a moment of reflection, and the opportunity to reset our attitude to the world and our 2020 circumstances, this year’s 7th edition of the European Film Festival, is about Then and Now, with the films inscribing an arc from Old Worlds to New. 

Narcissist and Goldmund

Narcissist and Goldmund

Starting in the Middle Ages, this year’s Austrian film is based on the story of Narcissus and Goldmund, written by Nobel-prize winning author Hermann Hesse, and directed here by Oscar-winning Stefan Ruzowitzky (The Counterfeiters). It examines the powerful bond between two very different characters, amidst the dichotomy between religious monastic life and the passion and adventure of secular life. 

Moving forward a few hundred years, there are two reflections on wars of the 20th century.  

Homefront

Homefront

After World War 2, when most countries around the world were focused on recovery and rebuilding, the small country of  Lithuania remained in a war situation as locals resisted Soviet occupation for about another 15 years. Sharanas Bartas’s film In The Dusk dramatically takes us into that desperate time and place.  From the same era, but focused in a different part of Europe and Africa, Home Front is a Belgian film directed by Lucas Belvaux, where painful memories of the time of the French colonial war in Algeria explode into the present, opening up chapters of a toxic past which is still not fully spoken of today.

In the Dusk

In the Dusk

Marco Bellocchio's award-winning film The Traitor takes us into the 1980s when a whistleblowing  mafia boss-turned-informer triggers the largest prosecution of the Sicilian mafia in Italian history. A riveting insight into the operations of one of the world’s most notorious crime syndicates. 

The Traitor

The Traitor

The German film Curveball, directed by Johannes Naber, is a thriller that catapults viewers into the 21st century. In a sober warning about how terribly easy it is to slip into war, this is a fact-based story about how a lie regarding chemical weapons, sets in motion a chain of events that results in the US invasion of Iraq in 2003, forever changing the global political landscape.

Curveball

Curveball

On a much lighter note, the Spanish film directed by Bernabe Rico, One Careful Owner, tells how a woman buys a new home with a certain ‘inconvenience’, namely that the 80-year old current owner will remain living in it until she dies. The two very different women in this story will form an unlikely friendship filled with tenderness, emotion and much laughter. 

ONE CAREFUL OWNER photo1 re.jpg

Another film focusing on female relationships, and in this case a mother-daughter relationship, is the French film Proxima, by director Alice Winocour, about a French woman astronaut who is forced to consider her priorities of family versus career. 

Proxima  0Y1A4219 re.jpg

There are two stories of unique emancipation and self-discovery – the first is the Dutch film, Becoming Mona, directed by Sabine Lubbe Bakker and Niels van Koevorden,  in which we follow, from childhood through to adulthood, Mona’s struggle to break free from the stifling constraints of a life lived in service of other people’s egos.  

Becoming Mona

Becoming Mona

The UK film this year is Bassam Tariq’s Mogul Mowgli, starring Riz Ahmed as a rapper on the verge of a big international tour when he gets cut down with a severe illness, causing him to confront his Pakistani/English culture, and himself. 

Mogul Mowgli

Mogul Mowgli

The Polish film Sweat by director Magnus van Horn focuses on a fitness motivator who has become a social media celebrity and influencer - it’s about how she wrestles with the nature of her popularity and what loneliness and intimacy mean in her world, all highly pertinent issues in this modern digital era.

Sweat

Sweat

The festival also includes two powerful documentaries.   The Irish representative, The 8th, is about the highly emotive and divisive topic of abortion and women’s reproductive rights.  Here, three award-winning women directors, Aideen Kane, Lucy Kennedy, and Maeve O’Boyle, follow the grassroots activism of the campaign to repeal the 1983 8th amendment (which criminalised abortions) in a defining moment of Irish history. 

The 8th

The 8th

Finally, bringing us right up to date, is a film which focuses our attention on one of the greatest crises humanity has ever faced, climate change. Nathan Grossman’s deeply personal Swedish documentary I am Greta follows the teenage climate activist Greta Thunberg from her one-person school strike to her astonishing wind-powered voyage across the Atlantic Ocean to speak at the UN Climate Action Summit in New York City. 

I am Greta

I am Greta

 “These films give us much to think about, a common theme in all of them being Relationship,” says Peter Rorvik, curator of the festival. “The wide range of relationships deal with antagonism, dominance, and dependency; with competition and conflict; with cooperation, friendship, and love; with class, race, and culture.  It is also about relationship with ourselves, and with our environment, and the eco-systems of which we are a part. We cannot always control our circumstances, but how we manage these exchanges will mark our place in the world.  This selection will not just entertain, but contribute to our awareness of relationships, guide our actions, and inform our ongoing journey of discovery of the world and ourselves.”

Free Screenings

The 2020 edition of the European Film Festival is virtual and accessible online across South Africa only.  The film screenings are free, except for I am Greta, whose entry fee of R50 serves as a fundraiser for a climate action group who will be awarded screening proceeds after the festival.

Look out for the full programme of screenings and special events on https://www.eurofilmfest.co.za/

Bringing the best of European film to South Africa’s home screens, the European Film Festival 2020 is a partnership project of the Delegation of the European Union to South Africa and 12 other European embassies and cultural agencies in South Africa:  the Embassies of Austria, Belgium, Ireland, Lithuania, the Netherlands, Poland, Spain, Sweden and Wallonie-Bruxelles International, the French Institute in South Africa, the Goethe-Institut, the Italian Cultural Institute, and the British Council. The festival is organised in cooperation with CineEuropa and coordinated by Creative WorkZone. 

 

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Sharlene Versfeld

Versfeld & Associates

Public Relations and Communications

Email: sharlene@versfeld.co.za

Trailers:

Curveball: https://www.eurofilmfest.co.za/portfolio-items/curveball/?portfolioCats=52

Homefront: https://www.eurofilmfest.co.za/portfolio-items/home-front/?portfolioCats=52

I am Greta:https://www.eurofilmfest.co.za/portfolio-items/i-am-greta/?portfolioCats=52

In the Dusk: https://www.eurofilmfest.co.za/portfolio-items/in-the-dusk/?portfolioCats=52

Narcissus and Goldmund: https://www.eurofilmfest.co.za/portfolio-items/narcissus-and-goldmund/?portfolioCats=52

One Careful Owner https://www.eurofilmfest.co.za/portfolio-items/one-careful-owner/?portfolioCats=52

Proxima https://www.eurofilmfest.co.za/portfolio-items/proxima/?portfolioCats=52

Sweat https://www.eurofilmfest.co.za/portfolio-items/sweat/?portfolioCats=52

The 8th https://www.eurofilmfest.co.za/portfolio-items/the-8th/?portfolioCats=52

The Traitor https://www.eurofilmfest.co.za/portfolio-items/the-traitor/?portfolioCats=52

Cape Town : Social Justice Documentary "Push" Special Screening and Discussion  at Tshisimani Centre for Activist Education in Mowbray, Cape Town during European Film Festival

Media Release

Social Justice Documentary "Push" Special Screening and Discussion 

at Tshisimani Centre for Activist Education in Mowbray, Cape Town during European Film Festival

CAPE TOWN: The social justice film Push by Swedish director Fredrik Gertten will have a special screening at the Tshisimani Centre for Activist Education in Mowbray, Cape Town, on Thursday, 5 December at 6pm.

The film is one of 12 award-winning films screening at Cinema Nouveau Theatres during the 6th European Film Festival, which runs in Johannesburg, Pretoria and Cape Town from 29 November to 8 December.

Gertten's documentary explores how the acquisition of urban property by financial institutions is becoming a global trend and making living in cities unaffordable. His previous documentary Jozi Gold precipitated great public interest during its showings at Encounters and the Durban International Film Festival earlier this year and his new offering Push is expected to generate new debate about the very topical housing challenges in this country.

Discussion featuring Leilani Farha, UN Special Rapporteur for Adequate Housing

The screening of the film at the Tshisimani Centre will be followed by a discussion led by Mandisa Shandu, the director of public interest law firm Ndifuna Ukwazi that specializes in urban housing rights.  Ndifuna Ukwazi is leading the campaign to stop the sale of the Tafelberg School in Sea Point, Cape Town, a case which reaches the courts during the last week of November.

Special participant in the discussion will be Leilani Farha, UN Special Rapporteur for Adequate Housing, who plays a central role in the documentary as she investigates the phenomena, which are literally pushing out people from inner cities around the world. Ms Farha will Zoom into the discussion from Toronto where she is based. 

In developing countries such as South Africa the massive housing challenges, the infringement of human rights and displacement of peoples are drawing increasing pushback from affected communities and activist groups working to open access to affordable, well-located land and housing.  This screening and discussion session aligns with Tshisimani’s focus on addressing and finding solutions to injustices faced by the poor and marginalised people of our society.

As Leilani Farha says: ‘‘I believe there’s a huge difference between housing as a commodity and gold as a commodity. Gold is not a human right, housing is.’

The screening and discussion is free and open to all at the Tshisimani Centre, Bertha House, 69 Main Road, Mowbray, Cape Town at 6pm on Thursday 5 December. Enquiries can be made on 021 685 3516.

See http://www.eurofilmfest.co.za/ for festival info, film synopses, trailers, screening schedules and ticket bookings!

The European Film Festival is a partnership project of the European Union’s Delegation to South Africa and twelve European Member State cultural agencies or embassies based in the country. They are: the General Representation of the Government of Flanders, the French Institute in South Africa, the Goethe-Institut, the Italian Cultural Institute, The British Council, and the Embassies of Austria, Belgium, Ireland, the Netherlands, Poland, Portugal, Spain, and Sweden. The project is organised in cooperation with Ster-Kinekor Cinema Nouveau and Cineuropa and is coordinated by Creative WorkZone.

 

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Les Misérables Filmmakers in South Africa for European Film Festival

Media Events

Les Misérables Filmmakers in South Africa for European Film Festival

Cannes Jury Prize-winning French film, Les Misérables by celebrated director Ladj Ly, will open the 6th European Film Festival in Johannesburg, South Africa on 29 November. The festival, which is hosted at Sterkinekor Cinema Nouveau Theatres in Johannesburg, Pretoria and Cape Town until December 8, features 12 award-winning films from Europe.

Three visiting filmmakers from Les Misérables, will be in the country, courtesy of VideoVision, to introduce their film and participate in filmmaker workshops in Johannesburg and Cape Town during the festival.

Producer Toufik Ayadi and actors Didier Zonga and Almamy Kanoute are in the country to promote their film, which was recently selected as France's entry to the Academy Awards in 2020. Ayadi, Zonga, and Kanoute will also be in attendance at its first screenings in Pretoria and Cape Town while the workshops provide an additional opportunity for in-depth discussion and exchange. Targeting young filmmakers, in particular, the workshop sessions will interrogate the making of the film and engage local filmmakers about filmmaking processes in general.

Both workshops are free but producers, actors and interested parties are advised to pre-register to book their participation. The workshop in Johannesburg takes place at the Rosebank Sterkinekor Cinema Nouveau on 30 November from 10 am to 1pm. Bookings can be made via Vuyiswa Tshangela at 011 7179237 or vuyiswa.tshangela@wits.ac.za. The Cape Town workshop takes place at the Cape Investor Centre on 2 December at 1pm to 3pm. Bookings for the Cape Town workshop can be made via 0785004488 or info@creativeworkzone.co.za.

The European Film Festival runs from 29 November to 8 December at Cinema Nouveau theatres in Johannesburg, Pretoria, and Cape Town - for more about the festival films, including trailers, visit www.eurofilmfest.co.za

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European Film Festival for Cape Town, Joburg and Pretoria

Media Release

EUROPEAN FILM FESTIVAL FOR CAPE TOWN, JOHANNESBURG & PRETORIA

 

Johannesburg, Pretoria and Cape Town are in for a ten-day feast of award-winning films as the European Film Festival celebrates its 6th edition in South Africa. The festival will be held simultaneously at Cinema Nouveau theatres in the three cities from 29 November to 8 December.  The carefully curated festival is packed with Oscar-nominated and multi-award-winning films from twelve countries including Austria, Belgium, France, Germany, Ireland, Italy, Netherlands, Poland, Portugal, Spain, Sweden and the United Kingdom.  

 

The Films

Opening the festival is the French film Les Misérables, which won the Jury Prize at the Cannes Film Festival in 2019 and then picked up Best International Feature Film at the Durban International Film Festival in July. Inspired by the Paris riots of 2005, witnessed first-hand by director Ladj Ly, the film revolves around three members of an anti-crime brigade who are overrun while trying to make an arrest.  It has been selected as the French entry for the Best International Feature Film at the 92nd Academy Awards in 2020. 

Representing Austria, Styx depicts the transformation of a woman sailor when she becomes the only person to come to the aid of a group of refugees shipwrecked on the high seas. Olly Richards (Time Out) says of the film: ‘A vital, highly intelligent movie that is both a first-class thriller and a biting commentary on our current world.’

The highly awarded Girl, from Flanders Belgium, tells the story of 15-year-old Lara who dreams of becoming a ballerina. Lara however was born into the body of a boy, she is undergoing treatment in preparation for gender reassignment surgery and the film illustrates some of the tough challenges she must face, both physically and psychologically, as a dancer, and as a person in transition.

System Crasher is Germany’s choice for next year’s Oscars. This intense journey witnesses the untamed high-energy antics of nine-year old Benni as she swings from sweetness to aggressive wild-child, causing danger and despair to all around her, including the social welfare services trying to help her.

Set against a housing crisis in Dublin, the Irish film Rosie is a riveting account of a remarkable woman trying to protect her loved ones and maintain their dignity when they lose their home. It examines how even in times of crises, the love and strength of a family can endure.

Women are the heroes, villains and victims in The Vice of Hope, a social drama about poverty, African immigration, human trafficking and the surrogacy business in towns around Naples (Italy). But change is coming, at least for the protagonist, Maria, who finds a link to her past, and her future.

My Extraordinary Summer With Tess is a sensitive Dutch coming-of-age drama for all age groups.  It follows a young boy and a girl on their paths of self-discovery as they cross the threshold from childhood to adolescence, and into the realization of the importance of family.

Cold War is a passionate love story between a music director and a singer whose meeting in the ruins of post-war Poland continues across Berlin, Yugoslavia and Paris. A tale of a couple separated by politics, character flaws and unfortunate twists of fate, Pawel Pawlikowski’s sumptuous black and white masterpiece of auteur cinema won Best Director prize at Cannes before earning three Oscar nominations at the Academy Awards in 2019, with five European Film Awards before that.

The outrageously wacky Diamantino is perhaps best expressed by Cath Clark in her review in The Guardian (UK):  ‘If Cristiano Ronaldo fell asleep after gorging on year-old camembert, his dreams could not match the bizarre bonkersness of this enjoyably throwaway romantic sci-fi satire from Portugal about a megastar footballer who falls victim of a government cloning plot.’

Praised as his best work in years, Oscar-winner Pedro Almodóvar’s 21st film Pain and Glory won two awards at Cannes 2019. Starring Antonio Banderas and Penelope Cruz, this semi-autobiographical narrative tells of a series of re-encounters experienced by a film director in physical decline, and his need to recover meaning and hope. Pain and Glory is Spain’s entry for next year’s Academy Awards.

Swedish documentary Push is an important film for the activists. It follows Leilani Farha, the UN Special Rapporteur on Adequate Housing, as she travels the globe, trying to understand who’s being pushed out of the city and why. Commenting on how global finance is fuelling the housing crisis and making cities unaffordable to live in she notes: ‘There’s a huge difference between housing as a commodity and gold as a commodity. Gold is not a human right, housing is.’

The United Kingdom participant in this year’s festival is Official Secrets, directed by South Africa’s most celebrated director Gavin Hood, who won an Oscar with Tsotsi  in 2005. Based on true events, Official Secrets tells the gripping story of Katharine Gun (Keira Knightley), a British intelligence specialist who leaks a memo in which the United States enlists Britain’s help in collecting compromising information on United Nations Security Council members in order to blackmail them into voting in favor of an invasion of Iraq. Following its presentation during the festival the film will go on public release from 13 December.

Festival director and curator Peter Rorvik points out that “a central thread within all the films is the search for a sense of self and meaning in a world where things often fall apart around us, where systems break down, where that search becomes an imperative lifeline.”

The newly arrived European Union Ambassador to South Africa, Dr Riina Kionka, expressed her support for the festival, saying, “The European Film Festival is a showcase of recent award-winning films and provides a snapshot of issues and themes that inspire European filmmakers and audiences. As the many topical stories show, lived experiences in Europe are not that dissimilar from life in South Africa … or elsewhere, for that matter. Film is a cornerstone of our European cultural and creative industries and the rich diversity of European cinematic approaches on show will be a delight to critics and publics alike. Don’t miss out on this smorgasbord of great entertainment!”

See http://www.eurofilmfest.co.za/ for detailed synopses, trailers and links to the screening schedule and ticket bookings.

The European Film Festival 2019 is a partnership project of the European Union’s Delegation to South Africa and twelve European Member State cultural agencies or embassies based in the country. They are: the General Representation of the Government of Flanders, the French Institute in South Africa, the Goethe-Institut, the Italian Cultural Institute, the British Council, and the Embassies of Austria, Belgium, Ireland, the Netherlands, Poland, Portugal, Spain, and Sweden. The project is organised in cooperation with Ster-Kinekor Cinema Nouveau and Cineuropa and is coordinated by Creative WorkZone

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