Creatives Focus on Climate at Durban FilmMart

Durban, South Africa: In a major film industry collaborative effort Climate Story Lab South Africa, Doc Society – Climate Story Unit, STEPS, and the Global Impact Producers Alliance (GIPA) presents the Climate Focus at this year’s Durban FilmMart which takes place from 19 to 22 July.

Climate Focus promises stimulating sessions to seek tangible approaches to communicate the climate-crisis through film with panel discussions, hands-on dialogues around potential impact strategies to effect change through film, brainstorming sessions, and networking opportunities for film industry participants creating content for this secto

Emily Wanja, who is Director of African Programmes at Doc Society - Climate Story Unit, says, “This climate focus at DFM is part of Climate Story Unit’s commitment to support transformative storytelling that advances a climate just and biodiverse future by storytellers, impact producers, and movement builders. Collectively we can envision, experiment and share how an abundant world for all could look like. DFM provides an opportunity to strengthen partnerships across the information ecosystem on the continent for this work to thrive.”

Filmmakers and activists, in an invigorating panel titled Don’t Stop Talking About Climate Chaos! discuss the role creatives play in sounding the alarm on the climate crisis, and inspiring effective action, including the building of African climate movements. Nasreen Al Amin (Climate Story Lab Lagos), Kudzayi Ngwerume (UMI Fund), Pete Murimi (BBC Africa Eye), Simeon Letoole  (Human Rights Activist) and Kumi Naidoo on video (Activist and former Director of Greenpeace) feature with moderators Anita Khanna (Human Rights Media Trust/Uhuru Productions) and Emily Wanja (Doc Society - Climate Story Unit).

In the session titled Partnerships and Pathways to Reach Audiences, the need for collective focus and political will to effectively address climate change is unpacked and paralleled with the HIV/AIDS crisis in South Africa, where miscommunication, denialism, and fake news hindered efforts to change behaviour and create impactful solutions. The progress in reducing HIV/AIDS-related deaths was achieved through collective efforts. The panel will address how the climate crisis needs a similar collective effort from all sectors including filmmakers through innovative partnerships with funders, broadcasters, and alternative distribution models, decentralised to unlock impactful audience reach.

Nadine Cloete (NFVF), James Smart (Nation Media Group), Pete Murimi (BBC Africa Eye), Noel Kok (NEWF), Nonto Sibanyoni (Sunshine Cinema), Theresa Hill/Tiny Mungwe (STEPS) and Cindy Makandi (Tunga Afrika) feature here with Miki Redelinghuys (Climate Story Lab ZA) as moderator.

In practical tool-kit styled approach the session Impact Strategy in Action, aims to equip impact producers with the insights necessary to create effective impact strategies. The panel will explore key issues such as identifying target audiences, setting measurable goals, leveraging partnerships, and maximising impact through media and outreach efforts.

Tiny Mungwe (STEPS) moderates this session which features Emily Wanja (Thank You For The Rain Impact Producer), Rumbi Katedza (Transactions Director) and Anita Khanna (Temperature Rising Co-Director).

Well-known impact producers and strategists Liani Maasdorp (Climate Story Lab ZA), Emily Wanja  (Doc Society), Nasreen Al Amin (Climate Story Lab Lagos) and Tiny Mungwe feature on the panel in the Impact Hackathon moderated by Miriam Ayoo (Global Impact Producers Alliance). Here one of the Africa Labs Showcase projects which has been working with mentors during the DFM, will participate in a high-energy, interactive session to unpack the impact potential of the film.

Aspiring impact producers will also have an opportunity to connect with GIPA members at a session at the DFM, to find out more about joining GIPA which nurtures the work of the unique, often overlooked, but powerful community of impact producers.

In a practical session Who’s Watching Our Films?  Alternative Distribution Mapping, Doc Society - Climate Story Unit, CSL ZA, STEPS, DOCA, TUNGA Afrika partner in a session moderated by Cindy Makandi (Tunga Afrika) to ignite an initiative they have started to help film industry professionals to unlock both existing, new and effective distribution pathways to ensure stories reach the people they are meant for. In this session they will map out alternative distribution avenues that extend beyond conventional routes. The goal is to create an open-source model that filmmakers can use to discover viable distribution partners across the continent.

Award-winning impact producer Anita Khanna, (Uhuru Productions), says, “It's shocking how little attention is being given to the biggest threat humanity has ever faced, but we know as activists that this is often because people face many challenges that are more immediate to them. If we can use our artistry and our campaigns to, at the very least, keep people fully informed of what the climate emergency means to them, and at most, get people motivated to organise around climate demands, then we will see some serious movement. It's a thing that artists have done in the past, around vital social matters, we need to be doing it now, on steroids.”

For more information about the Climate Focus at DFM in Durban go to https://climatestorylabza.org/dfm-2024/

For more information on the DFM go to https://durbanfilmmart.co.za/

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Doccies on rights and wisdom of First Nations, and the inextricable link to the ever-growing climate crisis, in new documentaries on Al Jazeera English

Whether it be environmental disaster or extractive development, often it’s the indigenous First Nation peoples around the world who are on the frontlines – whose lives, communities and very existence are under threat.  In First Nations Frontline, a new series which recently started airing on Al Jazeera English, indigenous people from Australia, Sweden, Colombia and North America invite audiences into their worlds, revealing the realities and consequences of the rampant capitalism and human greed which contributes to the climate crisis.

The Starry Night Toad directed by Kata Karáth

Providing a glimmer of hope as the world navigates the climate crisis, Colombian Arhuaco leader Ruperto Chaparro Villafaña teams up with scientists to save the critically endangered Starry Night Harlequin Toad in Colombia, in The Starry Night Toad directed by Kata Karáth.  They work to unite indigenous and western scientific knowledge to understand the role of the toads in the unique ecosystem of the Sierra Nevada de Santa Marta, the world's highest coastal mountain and the sacred land of the Arhuaco people.  The life cycle of the frog helps determine when to cultivate and harvest different crops – the reason this species is a flagship for their community-based project. Chaparro Villafaña must also defend their territory against illegal land grabbers, even as he’s working with scientists to find the cure for a deadly fungus that threatens all Harlequin toad species in the Neo-tropics.

The Torres Strait: Swallowed by the Sea 

The Torres Strait: Swallowed by the Sea directed by Theopi Skarlatos, looks at the Torres Strait Islanders’ class action against climate change. Climate change is causing catastrophic damage to the Torres Strait Islands. Fearful of losing their homes, the islanders sue the Australian government – but this is just the beginning. Refusing to be silenced, this is the story of how a father and son are letting the world know of their plight. 

In Black Butterflies: The Cost of Going Green

In Black Butterflies: The Cost of Going Green  directed by Saila Huusko, father and daughter Mikael and Sara Elvira fight against what they believe is Sweden’s exploitation of their land and resources, in the name of Sweden’s green agenda. Their community, the Sami, believe natural resources should only be used when necessary because, without them, humans will cease to exist. This film is their journey as they lobby climate activists and the Swedish government demanding the protection of their way nomadic way of life. 

Native Nation: Voices of Survival 

Moving to North America, the Navajo Nation offer valuable knowledge to mitigate the effects of climate change on their sacred lands in Native Nation: Voices of Survival directed by Ali Sargeant Sam Liebmann. Two Native American writers take us on a road trip to meet a community of fellow indigenous activists who are fighting to protect their land. They use traditional knowledge and ideas, and hope to influence the world’s approach to save the environment. 

“The issue of the environment and the struggles of First Nation people often go hand in hand, and certainly we have seen this in the recent COP27 deliberations in Egypt,” says Farid Barsoum, Executive Producer of the First Nations Frontlines series for AL Jazeera. “ Indigenous people  are often the first to bear the brunt of our environmental failures. We commissioned this series in the hope that several of these stories will collectively illuminate some of these issues, providing valuable insights for a global audience.”

The documentaries can be accessed on Al Jazeera English streaming service, Youtube https://www.youtube.com/@aljazeeraenglish/featured or online https://www.aljazeera.com/videos/documentary/

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SA's Empatheatre invited to UN COP27 to present award-winning Climate Change Play

Durban-based award-winning theatre company – Empatheatre has been invited by the United Nations Framework Convention on Climate Change to present their hard-hitting play - Lalela Ulwandle (Listen to the Sea) at this year’s COP27 (6-18 November) in Egypt. 

Neil Coppen, Dylan McGarry  and  Mpume Mthombeni, the co founders of Empatheatre. Pic by Jacki Bruniquel

The production has been invited by the UNFCCC (The United Nations Framework Convention on Climate Change) Secretariat to perform the award-winning theatre play Lalela uLwandle (Listen to the Sea in isiZulu) at the Capacity-building Hub of the Blue Zone of COP27 (14 November 2022, 17.40-18.40 Egypt time). 

Mpume Mthombeni in Isidlamlilo – The Fire Eater  - Photo by Val Adamson

The company is currently running its critically-acclaimed work Isidlamlilo – The Fire Eater featuring the award-winning actress Mpume Mthombeni at The Sneddon Theatre, UKZN which ends on Wednesday ( 9 November).

Following this Durban season, they rush off to Sharm el-Sheikh in Egypt to perform their much-toured, impact theatre work Lalela Ulwandle at the “Oceans and Land” day event at the Capacity Building Hub at COP 27.

Lalela Ulwandle explores themes of intergenerational environmental injustices, tangible and intangible ocean heritage, marine science, and the myriad threats to ocean health. Essentially this piece is an invitation to a participatory public conversation on ocean governance in South Africa (and beyond). The work was initially funded under the One Ocean Hub, the five-country hub of researchers exploring more democratic methods of engagement in ocean governance, and it is under this banner that the work will be seen at COP27.

“Finally we are bringing Empatheatre to the decision-making conference halls!” enthuses director Neil Coppen. “This means that these real stories are finally entering the United Nations, unedited and fully embodied! Through One Ocean Hub we have a spot in the Oceans and Land day event which seeks to respond to the mandate from COP to integrate and strengthen ocean-based action in their capacity-building efforts. In this context, there is a need for knowledge systems that include scientific, traditional, local, and indigenous knowledge to support decision making.”

“Our play, which has been touring South Africa since 2019 holding public storytelling events and tribunals has gathered thousands of coastal peoples' spiritual, cultural, and scientific understandings of the oceans in these critical climate-stressed times,” continues Coppen. “We have performed through droughts and floods, through pandemics and political struggles- through personal losses and through massive shifts in the way we work and practice.”

Lalela Ulwandle (Listen to the Sea) which features Alison Cassels, Mpume Mthombeni and Rory Booth is directed by Neil Coppen, and written by Coppen, with contributions from Helen Walne, Gcina Mhlophe, Mpume Mthombeni, Dylan McGarry, Taryn Pereira, Kira Erwin.  The UFC (Urban Futures Centre) at DUT has been deeply involved in the production from the outset under the leadership of Dr Kira Erwin.

Catch Empatheatre’s Isidlamlilo – The Fire-Eater  featuring Mpume Mthombeni, at The Sneddon, UKZN, Durban for 2 performances only on 8 November at 7pm and 9 November at 11am before they head to Egypt to present Lalela Ulwandle. Bookings are with

https://tickets.computicket.com/event/isidlamlilo/7201674.

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Climate Action Activities during European Film Festival

Sharpening the spear for climate justice and building back better after Covid-19

One of the films in this year’s European Film Festival is I am Greta the new documentary on Greta Thunberg, the Swedish teenager whose quiet yet laser-sharp focus has generated massive public attention on climate change, and inspired a generation of young activists.  The film will be screened online in South Africa, from 12 to 22 November, and will be augmented by a number of climate action activities including a live discussion on Friday, 13 November at 18:00 (SA Time).

Climate change is undoubtedly one of the greatest crises humanity has ever faced. In 2015, 196 countries signed the Paris Climate Accord to reduce greenhouse gas emissions and slow global warming. There are many who say the Paris Climate Agreement does not go nearly far enough to address the urgencies, or the imperative of climate justice. Another question is how effective the commitments are in practice. Signing a non-binding Agreement is one thing, but implementation is another – especially here in the world’s most unequal country, where an internal Global North way overproduces and overconsumes our fair share of the continent’s emissions. This hard-to-hear reality underscores the importance of both climate action and climate justice organisations and watchdogs. They monitor progress or shortcomings, and hold governments, corporations, the wealthy and multilateral transgressors accountable. 

Sharpening the spear

The festival’s climate programme includes screenings of the I am Greta documentary and awareness discussions in schools and community centres around the country and the live Zoom event Climate Justice South Africa: sharpening the spear.  This Zoom event brings pertinent experts together for a series of short presentations articulating the status of local climate change impacts, and outlining mitigation strategies, initiatives, and ways forward for South Africa.

In a presentation entitled From Climate (in)Action to Climate Justice, an author of numerous books and articles, Professor Patrick Bond of the University of the Western Cape School of Government, will offer an overview of climate politics and projects in South Africa. His critiques are razor sharp, and tackle the UN, national and municipal governments, corporations and activists, in turn. 

Ulrich Steenkamp of Earthlife Africa

From the renowned advocacy and activist group Earthlife Africa, Ulrich Steenkamp’s  presentation on Energy Democracy is framed against the democratic rights of the citizens of this country, the need for access to clean energy, and for participation in decision-making processes. 

Avena Jacklin of the Pietermaritzburg-based NGO groundWork/Friends of the Earth South Africa  addresses Environmental Protection Urgencies. She connects the dots from climate to the devastating water crises – droughts and periodic floods – and the importance of reshaping management of this basic resource. 

Ayakha Melithafa from the Africa Climate Alliance.

The younger generation is whose future is most at stake, as explained by Ayakha Melithafa from the Africa Climate Alliance. What innovative approaches do the youth bring to advocacy efforts and awareness campaigns, how does Youth Activism feed into policy and legislative processes so that South Africa is able to address the challenges with integrity, fairness and justice? What ecological and social rights do we need to recognise what must be ensured for future generations? 

All the member states participating in this European Film Festival are signatories to the Paris Agreement. South Africa is a signatory. Now that the United States is going to rejoin Paris, once Donald Trump vacates the White House next January 20, a global-to-national-to-local scan is vital. Greta Thunberg teaches us how to do this through the idealistic eyes of the youth, and we must turn a laser glare to addressing this greatest crisis humanity has ever faced, especially since the “Just Transition”, “decarbonisation” and “Build Back Better” refrains are still being heard from the South African presidency. This Live Zoom discussion is a reminder of the climate catastrophe and a call to action, to all of us. Access the event at 18.00 (SA time) on Friday 13 November through a link from the Special Events page on www.eurofilmfest.co.za.

Fikile Ntshangase, the anti-mining activist wy

This event is dedicated to the memory of Fikile Ntshangase, the anti-mining activist who was assassinated on 22 October. Ntshangase was the deputy chairperson of the Mfolozi Community Environmental Justice Organisation (Mcejo), which has stood steadfastly against the Tendele Coal Mine’s expansion in the Somkhele village area.

The European Film Festival 2020 is a partnership project of the Delegation of the European Union to South Africa and 12 other European embassies and cultural agencies in South Africa:  the Embassies of Austria, Belgium, Ireland, Lithuania, the Netherlands, Poland, Spain, Sweden and Wallonie-Bruxelles International, the French Institute in South Africa, the Goethe-Institut, the Italian Cultural Institute, and the British Council. The festival is organised in cooperation with CineEuropa and coordinated by Creative WorkZone.

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