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Flatfoot Dance Company presents “N’gila” (I am here) - an integrated dance performance with dancers with Down Syndrome.

Media Release

Flatfoot Dance Company presents “N’gila” (I am here) - an integrated dance performance with dancers with Down Syndrome.

 

Flatfoot Dance Company is proud to present its second annual integrated dance programme working with dancers with Down Syndrome. “N’gila/I am here” is choreography by Lliane Loots in collaboration with the eight dancers from Flatfoot Dance Company and the fondly referred to Flatfoot Downie Dance Company at the Elizabeth Sneddon Theatre on Tuesday 20 November at 6.30pm.

 

This landmark once-off performance will feature the unique partnering of the professional Flatfoot dancers with their Downie Dance Company members. This unique dance programme is unprecedented in South Africa and is a celebration of the power of dance to shift lives and to negotiate difference and inclusivity. Flatfoot celebrates its 15th anniversary this year and has - as one of its core values - the practice of dance (in education and in performance) as a tool towards what it calls “living democracy”. This dance programme celebrates community across the divides of race, gender and disability.

 

The programme began in August 2017 with the visit of Dutch choreographer Adriaan Luteijn of Introdans and his collaboration with Flatfoot. The company has continued this work over 2018 and this performance is the culmination of this year-long programme.

 

 “N’gila/I am here” will not only move and delight audiences but will challenge the very core foundations of who we think can and should dance professionally. Four Flatfoot dancers (Sifiso Khumalo, Qhawe Ndimande, Jabu Siphika and Zinhle Nzama) partner up with their counterparts, Karl Hebbelman, Charles Phillips, Kevin Govender and Michaela Munro in a dance explosion that is an affirmation of faith, courage and the joy of dance.

 

Flatfoot’s award-winning choreographer, Lliane Loots says, “Creating this work has been a journey into discovering community and into discovering what it means to engage a firm and loving assertion of self and identity. All nine of us in the rehearsal room have been forced to look inward and to see that space between who we think we are and who we want to be, and I have been humbled every day by what these eight dancers bring to making dance.' 

 

As a special offering the five Flatfoot Junior Company members will also perform “Sesfikile!” as the curtain-raiser at this performance. This work won critical acclaim at the 2018 JOMBA! Fringe.

 

This looks to be one of the highlights on Durban’s dance calendar and this one-off performances is being offed as a fundraiser to help support the Flatfoot Down Syndrome Dance programme for 2019. Tickets are limited and are R80 each. To pre-book tickets contact: flatfootdancecompany@gmail.com. Pre-booked tickets can be collected at the Sneddon box office from 1 hr before the start of show on Tuesday, 20 November. Patrons should note that there are no card facilities are available at the venue.

 

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 Captions to all photos by Val Adamson:

Four FLATFOOT dancers (Sifiso Khumalo, Qhawe Ndimande, Jabu Siphika and Zinhle Nzama) partner up with their counterparts, Karl Hebbelman, Charles Phillips, Kevin Govender and Michaela Munro in a dance explosion that is an affirmation of faith, courage and the joy of dance. Pictured here are the dancers in their performance of ‘cardiac output” at last year’s JOMBA! Contemporary Dance Experience.

JOMBA! Dance and Choreographic Workshops

Media Release

JOMBA! Dance and Choreographic Workshops

 

The annual JOMBA! Contemporary Dance Experience will host a variety of workshops open to the general public from 29 August to 8 September at various venues around Durban. 

 

JOMBA! is hosted by the University of KwaZulu-Natal’s Centre for Creative Arts and celebrates its 20th edition this year under the theme ‘Legacy’. These workshops fall within the festival’s ongoing endeavours to develop the South African contemporary dance landscape, and are offered free of charge to participants, however booking is essential as places are limited. Unless otherwise stated these workshops are open to dancers 18 years and older of all abilities.

 

An Afrofusion session for youth from 6 to 18 years of age conducted by Johannebsurg-based Moving Into Dance Mophatong kicks off the workshops at KwaMashu Sports Hall on Thursday 29 August from 4pm to 5:30 pm.  On the same day, other dance-makers from Moving Into Dance Mophatong will conduct an Adult Afrofusion session from 4:30 to 6 pm. This and all other workshops take place at the UKZN Dance Studio, Drama Studies Practical Block.

 

From India, celebrated dance-maker Anita Ratnam will facilitate a workshop on Saturday, 1 September from 10am to 12noon. This choreographic workshop looks at some of the styles and techniques that Anita uses to create her dance work. No prior knowledge of Indian classical dance is needed and this workshop.

 

Award-winning Durban dancer and choreographer, Musa Hlatshwayo will facilitate a session which focuses on growing the lexicon of dance language that includes an encounter with both traditional and African contemporary dance styles. This workshop takes place on Tuesday, 4 September from 4pm to 6pm.

 

Malagasy dance-maker Gaby Saranouffi and South Africa’s Moeketsi Koena will facilitate a workshop that will look into exploring some of the unique contemporary styles and techniques that are seen at the confluence of their collaborative dance work. This takes place on Thursday, 6 September from 5pm to 6:30 pm.

 

Spain’s extraordinary Aida Colmenero Diaz takes a session on September 8 from 10am to 12 noon where she will explore her African dance and Spanish roots in a fire-filled and energetic workshop.

 

Swiss choreographer and dancer Ioannis Mandafounis will facilitate a closed workshop between with 12 invited young professional Durban dancers where he will be pushing technique and improvisational skills.

 

To book a place email jombafestival@gmail.com no later than 2 days before the workshop.

 

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