Choreographer BreeH Cele’s work “uXinzelelo” wins Pick of the JOMBA! Live Open Horizons Platform

In the first time since COVID hit the globe in 2019, JOMBA’s popular Live Open Horizons made its way back live into the theatre to an appreciative audience, with Pietermaritzburg Choreographer BreeH Cele’s work uXinzelelo taking the honours receiving the “Pick of the Platform” award last night (29 August).

BreeH Cele (2nd from left) receiving the Pick of the Platform Award from Tammy Ballatyne (left) Jabu Siphika and Yaseen Manuel (Right) - Pic by Val Adamson

Jurors for the Open Horizons were dancer/choreographers Yaseen Manuel (Unmute Dane Company) and Jabu Siphika (FLATFOOT Dance Company) and dance writer and researcher Tammy Ballantyne.

uXinzelelo by BreeH Cele- Pic by Val Adamson

The jurors' citation read: “The Pick of the Platform was “uXinzelelo”, choreographed by BreeH Cele, with a carefully conceptualised work encompassing the weight of unique struggles faced by the black community when it comes to mental health concerns. Cele wove magic through the use of powerful, live vocals, strong voiceovers, evocative lighting choices, and disciplined, focussed performers. The stage was covered in white maize meal, which the performers became caked in as the strong choreography unfolded, with good use of the floor and imaginative partnering. At times, there was a sense of call and response between singers and dancers, as well as clever changes in pace and rhythm. An impressive work by a young woman who is using this research as part of her Master's studies.”

uXinzelelo  was performed by Nandile Khumalo, Sabelo Cele, Asanda S. Khathi, BreeH Cele, Slindile Mthethwa, Thulisile Sithebe, S'khona Mathenjwa, Pertunia Msani, Neo Dube and Nomthandazo Nxabela.

Accepting the award, which carries a small cash honorarium, BreeH Cele, said that she is looking to use it to further develop a short film on the work.

Inescapable, choreographed and performed by Siphesihle Vilakazi and Anneline Mazibuko- Pic by Val Adamson

Other works included Inescapable, choreographed and performed by Siphesihle Vilakazi and Anneline Mazibuko, from Durban, SA; SACRIFICIUM choreographed by Versatile Youth Company’  Thimna Sitokisi from Gugulethu, SA, and performed by Inam Dyonasi; Ndimphiwe Koloti; Sandile Dyushu; Buntu Anta and Simthembile Mampufo, and Giselle and me choreographed and performed by Sarahleigh Castelyn (SA/UK) .

SACRIFICIUM choreographed by Versatile Youth Company’  Thimna Sitokisi - Pic by Val Adamson

The jurors noted the common threads binding the four works on this platform – the deep, inner struggles with mental health and emotional trauma. All four found inventive ways to communicate their stories through well-rehearsed and conceived works, with attention to effective lighting and a variety of choreographic choices.

Giselle and me choreographed and performed by Sarahleigh Castelyn (SA/UK) - Pic by Val Adamson

JOMBA! continues until 8 September with performances workshops and discussions.

For more info go to jomba.ukzn.ac.za

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JOMBA! Digital Open Horizons Pick Of The Platform Announced

The 26th JOMBA! Contemporary Dance Experience, which is currently running in Durban, announced its JOMBA! Digital Open Horizons “pick of the platform” awards for 2024 on Wednesday 28 August. The programme was screened on the festival’s YouTube Channel and is available for the remainder of the festival until 8 September here

The Digital Open Horizons platform invites digital submissions of original works from new and established dance-makers across Africa. These works which last 3 to 8 minutes, were reviewed by an independent jury and seven selected for this platform at the festival: Lacuna by Louise Coetzer (South Africa, Darkroom Contemporary), Echoes by Femi Adebajo (Nigeria), As the Mountain Stood Still by Dave Gardner/Jacques Batista (South Africa), Internal Struggles by Diana Gaya (Kenya), Yolk by Skyla Buchanan (SA/Cyprus),Moments by Marcia Mzindle (South Africa) and Blue Funk by Louise Coetzer (South Africa, Darkroom Contemporary)

The jury selected Yolk in first place, Echoes in second and Lacuna in third as the “picks of the platform”.

Yolk by Skyla Buchanan (SA/Cyprus)

Yolk was selected in first place for its “innovation, beautiful cinematography and interesting settings as well as its subject matter”. Filmed by Beatrice Mariani, and choreographed, performed, directed and edited by Skyla Buchanan a contemporary trained dancer, practitioner and choreographer working with a multidisciplinary approach to performance. 

Yolk is set against the oppressive heat of summer, and explores the link between womanhood and fertility - where the sense of being a woman is derived from a "bioessentialised" maternal instinct: “A woman with no children is a wasted potential of a womb, wasted space, wasted time, wasted life- the wasted yolk of a fresh egg.”

Echoes by Femi Adebajo (Nigeria),

Nigeria’s Femi Adebajo’s Echoes, performed by Adebajo and Janed Aduayom was awarded second place. This work was selected for its “interesting pace and rhythm as well as its use of location and space and his creation of tension and suspense.”

Adebajo is a creative multidisciplinary artist who focuses on exploring art as a medium of connection to the human mind. 

Echoes provides a creative representation of the concept of pressure and its influence on both the physical bodies and mental states of individuals. It aims to offer a powerful and artistic insight into the human experience, highlighting the effects of pressure and its significance in our lives.

Lacuna choreographed and performed by Mthuthuzeil November, directed by Louise Coetzer

In third place selected for its “wonderful play between dark and light, its use of slow motion and its cinematic sets” was Lacuna choreographed and performed by Mthuthuzeil November, directed by Louise Coetzer with videography: Oscar O'Ryan, and produced by Darkroom Contemporary.

Coetzer is a versatile dance artist also renowned for her multidisciplinary approach to performance art. Lacuna traces the unfilled spaces of the brutalist architecture enveloping the dancer. It is a cinematic study of light and shade, seen and unseen

The Festival offers a range of workshops, talks and performances and runs until 8 September. Tickets are available through Computicket.

All festival information is available on the festival website:  https://jomba.ukzn.ac.za/

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Dancers from Bangalore (India) for this year's JOMBA! Contemporary Dance Experience

The UKZN Centre for Creative Arts' JOMBA! Contemporary Dance Experience, which takes place from  August 27 to September 8, will feature two exceptional performances from India by the Bangalore-based dancer and choreographer Deepak Kurki Shivaswamy. These performances will be presented both at UKZN, Durban and at The Market Theatre in Johannesburg with the support of the Consulate General of India (Durban & Johannesburg), and the Swami Vivekananda Cultural Centre of the Indian Council for Cultural Relations (ICCR), Government of India.

The performances will be at the Elizabeth Sneddon Theatre in Durban on Thursday 5 and Friday 6 September, and at JOMBA! @The Market in Johannesburg on 11 and 12 September. These performances are part of a larger contemporary dance programme that includes workshops, panel discussions, and virtual screen dance presentations taking place at various venues in Durban, and followed by a condensed version in Johannesburg.

Deepak Kurki Shivaswamy.

Deepak Shivaswamy, trained in Yoga, and Indian martial art Kalaripayattu  has been developing pedagogy for contemporary dance since 2004. He is a significant figure in contemporary dance, exploring modern Indian identities and its evolving concept of home. His latest double bill, titled "Vasudaiva Kutumbakam," which also features choreographers and dancers Prashant More and Mirra, reflects this journey. The term, which translates to "the world is one family," serves as a guiding principle for his performances at JOMBA!. Shivaswamy explains, “This concept of universal kinship inspires our work, using dance as a universal language to connect and resonate with audiences globally.”

Weight of Time

Deepak Shivaswamy’s first piece, Weight of Time, challenges conventional notions of art's purpose. It invites audiences to let go of expectations and simply be present, savouring the performance as an experience in itself. His second piece, Mycelium Maatu, draws inspiration from the mycelium—a natural network of fungal threads that interconnect in intricate, organic patterns. This concept profoundly influences Shivaswamy’s approach to dance, encouraging a creation that mirrors the mycelium’s interconnected and evolving structure.

Mycelium Maatu

Among the exciting additions to JOMBA! 2024 are opportunities for audiences to engage directly with dancers and choreographers. These include special sessions where attendees can hear from the artists about their creative processes and works. On September 6, Deepak Kurki Shivaswamy will join JOMBA! curator Lliane Loots for an on-stage discussion following his performance, as part of the JOMBA! TALKS DANCE series. This conversation will offer deeper insights into Shivaswamy’s work and creative vision.

On Friday, September 6, Deepak Kurki Shivaswamy, alongside Prashant More and Mirra, will lead a free open workshop titled Aattam Idam: A Place for Playing. Scheduled from 4pm at the UKZN - Howard College Campus Drama and Performance Studies Dance Studio in Durban. This workshop is based on the concept of “PLAY.” It invites participants of all skill levels to explore dance and movement through creative and joyful expression. This is followed by another workshop on September 12 at The Market Theatre.

These workshops are offered free of charge to participants, but booking is essential as places are limited. The workshop is only open to dancers over 16 years. Book with e-mail thobimaphanga@gmail.com.

They will also present a closed workshop with Rudra Dance Company and ParamAtham Dance Theatre in Durban on Saturday 7 September,

Performance timings are 7pm on Thursday 5 and Friday 6 September at the Elizabeth Sneddon Theatre, and at 6.30pm on 11 and 12 September at The Market in Johannesburg

For more information and to see the full programme, go to: https://jomba.ukzn.ac.za/

Booking via COMPUTICKET for Durban, and by WEBTICKETS for Johannesburg.

JOMBA! dance residency 2024

A new residency that focuses on the development of young women in dance has been announced as an exciting new addition to the JOMBA! Contemporary Dance Experience which takes place in Durban from 27 August to 8 September 2024.  The 7-day residency runs during the festival and aims to encourage and support women in dance. 

“Over the years we have observed that there are fewer female dancers working professionally in the contemporary dance space, and so we identified a strong need for more female-focused dance development to be done in Durban,” explains Dr Lliane Loots, Artistic Director of JOMBA!, which is hosted by the Centre for Creative Arts (UKZN).

This year the residency offers space for 6 female dancers aged between 18 and 30 years who have some dance training and now seek to push their skills and make their mark in the dance world as professionals. 

The JOMBA! residency will be led by Gaby Saranouffi (Madagascar/South Africa). Pic Val Adamson

The JOMBA! residency, led by Gaby Saranouffi (Madagascar/South Africa), will focus on further developing the dancers’ technical abilities, as well as include workshops around forging a professional image and work ethic that will aid in preparing these young dance professionals for future work opportunities.  The dancers-in-residence will have access to the full festival programme and have the opportunity to meet and engage with professional companies that are visiting the festival.

The selection process will be done through auditions in the form of a contemporary dance class with some improvisation on Saturday 6 July at 10am at the Flatfoot Dance Studio (UKZN). Dancers-in-residence will be expected to be available for the full 7-day duration (26 August – 1 September 2024) with the outcomes of the residency presented at the JOMBA! YOUTH OPEN HORIZONS platform on Sunday 1 September 2024.

There are selection criteria that include that dancers must be older than 18 years of age, and must reside in eThekwini (Durban) or surrounds. While the residency and festival are offered free of charge to those who are successfully selected, participants must supply their own transport and food needs.

To apply send a (no longer than) two-page CV to Thobile Maphanga: thobimaphanga@gmail.com by Monday 24 June by 4pm.

For full details of criteria, what is required on the CV and more info about the process go to https://bit.ly/JOMBAResidency2024

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Veteran South African dance-maker, Robyn Orlin, named the 2024 JOMBA! LEGACY ARTIST

The 26th annual JOMBA! Contemporary Dance Experience, hosted by UKZN’s Centre for Creative Arts, has announced that it will honour veteran South African dance-maker Robyn Orlin as the 2024 JOMBA! Legacy Artist. 

Orlin’s work we wear our wheels with pride and slap your streets with colour… we said ‘bonjour’ to satan in 1820 … will feature at JOMBA! which takes place at The Sneddon Theatre in Durban from 27 August to 8 September, with a satellite festival at The Market Theatre in Johannesburg from 11 to 14 September 2024.

Robyn Orlin

Originally created in 2021 we wear our wheels …  is a collaboration with Johannesburg based Moving into Dance. This is a work that negotiates the complicated Durban rickshaw histories – and it finally comes to Durban.

Born in 1955 Johannesburg, Orlin’s vision of contemporary dance continues to be a kind of aesthetic eclecticism where she draws heavily on her own histories of ballet and modern, and a fascination with film and cinema. She has shifted the boundaries of what we consider dance to be, often falling into witty and biting political satire. Her love of kitsch, tutus and yellow plastic ducks has seen her creating iconic images that still haunt a South African dance landscape. 

we wear our wheels with pride and slap your streets with colour… we said ‘bonjour’ to satan in 1820 … 

Orlin was trained at the London School of Contemporary Dance (1975-1980), then at the School of the Art Institute of Chicago (1990-1995). She began her career as a dancer, choreographer and teacher in South Africa, where she was quickly spotted, as much for the singularity of her dance making, as for the chaos that reigns in her creations.  Her (multiple prize-winning) dance piece Daddy, I have seen this piece six times before and I still don’t know why they’re hurting each other, which mocks the difficulties and shortcomings of the young rainbow nation, but also classical ballet as a trajectory of discrimination, enabled her to tour in Europe and brought her international recognition. France has since become a creative territory for her and she has made her first film, Hidden Beauties, Dirty Stories (Ina/Arte, 2004), her first opera, Handel’s L’Allegro, il penseroso ed il moderato (Opéra Garnier, Paris, 2007), and her first theatre production, Les Bonnes, by Jean Genet (Théâtre de la Bastille, Paris, 2019) in France. She continues to create work in South Africa.

Artistic Director and curator, Lliane Loots says, “The JOMBA! festival’s 2024 overall curatorial theme and provocation is “the memory of home” and we can think of no South African artist better suited to unpack both the simplicity and complexity of this in her work. Memories are about history, belonging, sometimes suffocating nostalgia, and maybe also about charting new futures … Robyn’s work is all of this and more”.

“Orlin’s work has not been performed in South Africa for many years, and so it is with great thanks for the support from IFAS (Paris) and IFAS (Johannesburg), that JOMBA! welcomes her back to South Africa as our 2024 JOMBA! Legacy artist.”

JOMBA! takes place at The Sneddon Theatre in Durban from 27 August to 8 September, and the satellite festival takes place at The Market Theatre in Johannesburg from 11 to 14 September 2024.

we wear our wheels …  will be performed on 7 and 8 September in Durban and on 11 and 12 September at The Market in Johannesburg.

For more information go to www.jomba.ac.za.

JOMBA! Contemporary Dance Experience Announces International Guests for 25th Edition

This year, the JOMBA! Contemporary Dance Experience presented by the Centre for Creative Arts (UKZN) celebrates its 25th anniversary, offering dance fans a 13-day treat of world-class contemporary dance that will see both local and international dance makers converge on Durban from 29 August to 10 September.

Alongside the very best that South Africa has to offer JOMBA! will feature international guests from Mozambique, Switzerland, Netherlands, Madagascar, Uganda, Romania, Germany, the United Kingdom, and Brazil. This 25th edition offers not only a powerhouse of performances but workshops, residencies, talks, panel discussions, and virtual screen dance.

The theme for this year is “(in)tangible heritages”. Curator and Artistic Director, Dr Lliane Loots elaborates: “In curating this year’s festival, we have invited dance makers to reimagine their – and our – relationship with ideas of belonging and our varying (in)tangible heritages. The 25th JOMBA! is honouring artists who, through their work and their moving bodies, generate a new sense of belonging that questions who we are at this critical moment in our history”. 

Mozambique’s award-winning dancer/choreographer Pak Ndjamena

Mozambique’s award-winning dancer/choreographer Pak Ndjamena presents his arresting solo work, DEUS NOS ACUDI / GOD HELPS US, that interrogates contemporary African male identity and pulls no punches in its message. 

Thobi Maphanga in hannahmadance’s INVASION(S) (Germany)

Two dance companies from Germany will feature: Hannah Ma’s hannahmadance performs a work that links with South African performers Thobi Maphanga and Jabu Siphika.  INVASION(S) analyses the act of invasion as the act of violently entering a (political, physical, biological) territory from a feminist, and post-migrant perspective. Helge Letonja and his company Of Curious Nature – made up of artists from all over the world presents UN-ZEIT which creates hypnotic images where the perception of time seems to fray and dancing bodies search for support. 

Virva Talonen (Finland)

FLATFOOT DANCE COMPANY in Portable Home Project (Finland /SA)

With support from the Finnish Embassy (Pretoria), Virva Talonen presents a work in collaboration with Durban’s FLATFOOT DANCE COMPANY. Her Portable Home Project is a contemporary dance performance series that delves into a concept of home and its various definitions. The Portable Home Project is co-created by Finnish Lighting Designer Nanni Vapaavuori. 

ACE dance and music (UK)

Birmingham (UK) based ACE dance and music features in a spectacular double bill – UNKNOWN REALMS – with choreography by Burkina Faso’s Serge Aimé Coulibaly and South Africa’s Vincent Sekwati Mantsoe. Coulibaly’s THE NIGHT BEFORE TOMORROW is a metaphorical night where people try to do their last dance before an uncertain tomorrow. Mantsoe’s MANA – THE POWER WITHIN engages the sacred, ritualistic and shamanic. 

Ramanenjana (Romania/Madagascar)

JOMBA! partners again with Rerouting Arts at St Anne’s (Hilton) to share a collaboration between Romania and Madagascar. Ramanenjana is a docufiction performance about a dance that made history. The work examines dance’s societal role and how colonialism spread misconceptions about this extraordinary moment in history. Ramanenjana will also be performed for audiences in Durban. 

Unmute Dance Theatre (SA)

JOMBA! continues to open up access to work that makes visible intersections around dance and disability. JOMBA! 2023 DANCEABILITY FOCUS features dance-makers who are shifting global perceptions around disability: Joseph Tebandeke (Uganda), Unmute Dance Theatre (Cape Town, South Africa), and an inclusive programme from Introdans (Netherlands).

Joseph Tebandeke (Uganda)

Introdans (Netherlands)

In partnership with ASSITEJ, JOMBA! offers the new JOMBA! FOR YOUTH FOCUS aimed at younger audiences, to help grow youth audiences for dance.

Switzerland’s Joshua Monten’s GAME THEORY 

Artists from Switzerland and the Netherlands feature in a new JOMBA! programme that travels to schools and also offers public performances. Switzerland’s Joshua Monten, brings a delightful engrossing work called GAME THEORY that will travel to two schools. This work looks at some of the building blocks of play: freedom and rules. Dutch Dance company de Stilte, focuses on developing productions and performing for children. They bring FLYING COW choreographed by Jack Timmermans which is the story of two girls and a boy who embark on a stand-off, flying on the wings of their imagination.

FLYING COW choreographed by Jack Timmermans (Netherlands)

Other features of the 25th Anniversary festival include two major South African works, the JOMBA! Youth Open Horizons, JOMBA! ON THE EDGE, after performance talks, an engaging dialogue with dance-makers, the launch of the 25th-anniversary book, a series of free workshops and masterclasses, a lighting workshop, a screen dance residency, a dance writers residency, and a smaller curated festival at The Market Theatre in Johannesburg.

Tickets are R80 or R50 (students, scholars, pensioners) or R350 – once off FULL festival pass to see everything.

Booking through COMPUTICKET

For more information go to https://jomba.ukzn.ac.za/

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Call for papers for third JOMBA! MASIHAMBISANE DIALOGUES – 24 to 26 May

The University of KwaZulu-Natal’s Centre for Creative Arts in partnership with Warwick University (UK) and the African Dance Disability Network, calls for submissions of abstracts, papers and digital participation for the third annual JOMBA! MASIHAMBISANE DIALOGUES, a colloquium to engage in robust and meaningful conversations around contemporary dance, online from 24 to 26 May.

JOMBA!’s curator, Dr. Lliane Loots is working with Warwick’s Prof. Yvette Hutchison on a two-year UKRI – AHRC funded research project entitled Encountering disability through contemporary dance in Africa, and thus the colloquium will focus into the provocation of “Integrated dance practices: moving centres”. A host of dance, practitioners, academics and associates are expected to participate including Joseph Tebandeke, a Ugandan dancer and choreographer based in Kampala, who will be one of the key-note speakers at this edition. The actual colloquium will be presented online and open to public viewing.

Unmute Dance Company - photo by Val Adamson

This third annual JOMBA! MASIHAMBISANE DIALOGUES, hosted in the 25th anniversary year of the JOMBA! Contemporary Dance Experience, sets out to engage scholarship, pedagogy and practices into integrated dance as an embodied form with a particular African focus, without being exclusive.

The call out for papers, digital scholarship and any new integrated forms of knowledge sharing is open and closes on 4 April 2023. For more details or to download the official call-out frame of reference go to https://jomba.ukzn.ac.za/masihambisane-dialogues/

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Innovative Dance Works Commissioned for JOMBA! EDGE Platform at Dance Festival

Innovative Dance Works Commissioned for JOMBA! EDGE Platform at Festival

Three KwaZulu-Natal dance-makers have been commissioned to create works for this year’s JOMBA! EDGE platform, as part of the JOMBA! Contemporary Dance Experience taking place from 30 August at the Elizabeth Sneddon Theatre in Durban.

JOMBA! which is presented by the Centre for Creative Arts at the University of KwaZulu-Natal has a long history of supporting Durban and KZN-based dance-makers and has offered grants to three choreographers/dancers to help push their creation of new local work. In the JOMBA! EDGE mentored platform, Sandile Mkhize (Durban), Tegan Peacock (Pietermaritzburg) and Pavishen Paideya (Durban) will present their work on Friday, 2 September at 7pm and Saturday, 3 September at 2.30pm.

The same programme will be presented by JOMBA! and Rerouting Arts at the Old Mushroom Farm in Howick on 17 September at 6pm.

“All three have displayed an uncanny survival instinct and despite so much lost time for dance over the COVID shut down, all three have continued to make meaningful work over this time,” says JOMBA!’s Artistic Director Lliane Loots. “We are delighted to honour them in our 2022 festival and have asked to respond to the curatorial provocation of this year’s festival – the (im)possibility of home.”

Sandile Mkhize

Co-founder and Artistic Director of Phakama Dance Theatre Sandile Mkhize will premiere TAKE ME BACK HOME, a duet that begins to rethink notions of black masculinity and brotherhood. He takes us on a journey to what home means for the body – a place of self-discovery and self-interrogation.

Pavishen Paideya

Accomplished dancer and choreographer and artistic director of Rudra Dance Theatre, an Indian dance company, Pavishen Paideya presents SAMSARA - an honest and culturally magnificent dance journey into Diaspora Indian South African identity and ideas of home and belonging.

Tegan Peacock

Performance artist and creator and founder of Rerouting Arts, a collaborative arts organisation, Tegan Peacock present HEAD_SPACE as she attempts to trace the internal conversations of the body and the mind in turmoil. It is a mapping of patterns, pressures and struggles, a performative cartography of self and belonging that works with live music.

The festival offers a 13 day feast of contemporary dance, and includes performances and dance talks at the Elizabeth Sneddon Theatre with a Youth Open Horizons event at the Stable Theatre and select online offerings, as well as workshops, and an extensive online blog.

The Festival takes place from 30 August to 11 September. Tickets for performances at the Sneddon Theatre are R80, and R65 for students, scholars and pensioners through Computicket (https://tickets.computicket.com/). All other events are free.

(Tickets for the programme in Howick on 17 September at 6pm are R80 and can be booked through https://bit.ly/BookJombaReroutingHowick

For more information follow on social media or go to the website: https://jomba.ukzn.ac.za/

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24th JOMBA! Contemporary Dance Experience Announces its first live programme in 2 years

24th JOMBA! Contemporary Dance Experience Announces its first live programme in 2 years

30 August to 11 September 2022

The 24th JOMBA! Contemporary Dance Experience, hosted by the University of KwaZulu-Natal’s Centre for Creative Arts, has announced its programme for its first live festival since 2019, which takes place at the Elizabeth Sneddon Theatre, UKZN from 30 August to 11 September 2022.

The theme of this JOMBA! centres around “the (im)possibility of home”, and offers dance and theatre fans a treat of 13 days of world-class contemporary dance and performance from both local and international dance-makers. Artists hail from Mozambique, Switzerland, Reunion Island, India, and of course, includes the very best that South Africa has to offer. This edition offers a powerhouse of performances, workshops, after-performance Q & A’s, panel discussions, virtual screen dance, and the return of the JOMBA! youth dance platform that continues to support the growth of Durban’s young dance communities.

“We are thrilled and relieved to be finally presenting our much-loved festival – live and in-person, while keeping some works and events online to include those not able to attend,” says Artistic Director and Curator, Dr Lliane Loots. “This year, through the theme “the (im)possibility of home”, we have set out to interrogate a series of dance offerings that negotiate heritage, culture, nostalgia, and identity, which explore a sense of belonging and how this persists, changes, and transforms through time – and what a time (both local and global) for this moment!”

Vincent Mantsoe

Within this theme, Vincent Sekwati Mantsoe will be honoured as the 2022 JOMBA! Legacy Artist. “This year marks a 30-year history of Mantsoe’s career as a dancer and choreographer and we can think of no better way to honour this incredible icon in South Africa’s historical dance trajectory than to celebrate with him,” says Loots.

There will be a live performance of Mantsoe’s new solo work KOMA, the screening of his short dance film CUT (part 1) made during lockdown and his two-year process (2021 and 2022) of working with Durban’s FLATFOOT DANCE COMPANY and the long journey to making CUT (part 2) – which will premiere at the festival, and he will present a masterclass.

Hominal/Xaba

South Africa’s doyens of contemporary dance - the controversial and critical dance-makers – Mamela Nyamza and Nelisiwe Xaba feature with Xaba opening this year's festival in a collaboration with Swiss dance maker Marie-Caroline Hominal in a work intriguingly and simply titled Hominal/Xaba. 

Mamela Nyamza

The deeply interrogated and thoughtful Mamela Nyamza offers her newest work GROUNDED. performed with her son Amkele Mandla, in which she offers us a look into her South Africa where democracy superficially seems to be in a working condition, but actually has small cracks not easy to see.

Edna Jaime

In partnership with the Goethe-Institut South Africa, JOMBA! will host the inimitable Mozambican dance-maker Edna Jaime in her remarkable solo Um Segundo (One Second).

Fana Tshabalala

Fana Tshabalala, the 2019 JOMBA! Mellon Artist in Residence, makes a welcome return with his Broken Borders Arts Project to premiere his latest solo work Zann, which he began creating as part of the 2019 residency. 

Three new works by Durban choreographers/dancers - Sandile Mkhize, Tegan Peacock, and Pavishen Paideya will premiere at the festival. All three were given grants to help push their creation of new local work in the JOMBA! EDGE mentored platform.

The JOMBA! YOUTH OPEN HORIZONS (formerly the Youth Fringe), will feature a host of local dance talent at The Stable Theatre.

The virtual offerings include the JOMBA! AFRICAN DIGITAL VOICES, OPEN HORIZONS and an online panel discussion.

In the JOMBA! AFRICAN DIGITAL VOICES platform Mozambican choreographer and dancer Pak Ndjamena, who collaborates with photographer and filmmaker Ivan Barros, has been commissioned to make a screen dance offering One Step at a Time; while Reunion Island’s Didier Boutiana and his company SOUL CITY present a dance film titled Le Sol Oblige (The Earth Obliges) a humbling and beautiful look at the relationship of the individual to ideas of home and land, and to community. Mantsoe’s Cut (part 1) features online here too.

JOMBA! OPEN HORIZONS (formerly the JOMBA! Fringe) continues to support dance-makers working in film. A jury will select six films to showcase from a call for submissions earlier this year, and the top three will be announced after the viewing. 

The festival closes with a virtual conversation between Attakkalari Centre for Movement Arts (Bangalore, India) and artist Simon Senn (Switzerland) looks at the dance work of this amazing centre and the incredible project between Senn and Bharatha Natyam dancer Rohee Oberoi.  

There are three open workshops (dancers over 16 only) for dancers and dance-makers, an industry-related session entitled JOMBA! Forging Futures, and the much-valued JOMBA! KHULUMA online writing residency will feature write-ups, interviews and reviews. More details to be announced soon 

Live performances take place at the Elizabeth Sneddon Theatre (UKZN), the Stable Theatre (one performance and free) as well as virtual/online (free) .

Tickets for Elizabeth Sneddon Theatre performances are R80 full price, R65 – students, scholars and pensioners. Booking is through Computicket.

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Award-winning Cape Town Choreographer Yaseen Manuel to create work for CCA’S JOMBA!

Award-winning Cape Town Choreographer  Yaseen Manuel to create work for CCA’S JOMBA!

The University of KwaZulu-Natal’s School of the Arts, in partnership with the Mellon Foundation’s Artist in Residence programme, is delighted to welcome Cape Town dancer and choreographer Yaseen Manuel who will be spending 3 months working in conjunction with the Centre for Creative Arts’ 23rd JOMBA! Contemporary Dance Experience, and the Drama and Performance Studies Programme. 

Yaseen Manuel with Flatfoot Dance Company’s Sifiso Khumalo rehearsing for the 2019 JOMBA fest.

In a really difficult time for any embodied practice, with the need for social distancing and safe ways of working, Manuel will be using the Mellon residency to create two screen dance films that will premiere at JOMBA!’s second digital iteration of its festival in late August. For this, he will be working with Durban’s much-loved FLATFOOT DANCE COMPANY – and in an interesting interplay of digital on-line engagements. He will also be hosting workshops and discussion sessions/seminars via zoom with UKZN’s dance students over his three-month residency. 

Manuel’’ own Cape Town history and personal Muslim spirituality and legacy features prominently in his work. The South African dance community sat up and took notice of his work when he began a series of solos in 2016/17 that connected race, religion and ideas of masculinity in choreographed evocations of deeply neglected stories and identities in the South African landscape. His recent 2019 dance work “ASLAMA”, linked the Syrian massacre to a more internal battle for self and identity that was both terrifying and beautiful!

He is a skilled dancer and teacher and while he works as an independent artist, he is also a member of the ground-breaking integrated dance company UNMUTE DANCE COMPANY. Dr Lliane Loots, artistic director and curator of the CCA’s JOMBA! festival says that she is “delighted – at this very difficult time for dance – to open space to feature one of South Africa’s most original dance-making voices and the reminder he offers, of yet still untold and underrepresented stories in our country”.

Catch the premiere of Yaseen Manuel’s screen dance films at JOMBA! which will take place on-line from 24 August to 5 September. Access to on-line viewing is free. Subscribe to the JOMBA Youtube channel here : https://www.youtube.com/channel/UCN9cM0WFw5j2QnYSbk1Zu6Q

UKZN’s CCA & JOMBA! presents JOMBA! 2021 Masihambisane Dialogues

The University of KwaZulu-Natal’s Centre for Creative Arts and the

JOMBA! CONTEMPORARY DANCE EXPERIENCE presents

JOMBA! 2021 Masihambisane Dialogues

2 – 4 June 2021

An open three-day dance colloquium hosted by the University of KwaZulu-Natal’s Centre for Creative Arts and the JOMBA! Contemporary Dance Festival with support funding from the NIHSS, on Youtube, will focus on new ways of engaging dance/performance scholarship, practice, and practice-led research in innovative, provocative and interesting ways from 2 to 4 June 2021.

JOMBA! Masihambisane Dialogues aims to support South African and African (and Diaspora) dance and performance scholarship and research in an accessible and community-driven manner. An international community of dance/performance scholars have curated what promises to be an engaging dialogue around dance.

This year’s curatorial committee include Mr. David Thatanelo April - University of Pretoria (SA), Ms. Clare Craighead - Durban University of Technology (SA), Mr. Gift Marovatsanga - University of Zululand (SA), Dr. Lliane Loots - University of KwaZulu-Natal CCA (SA) [chair and organiser], Dr. Sarahleigh Castelyn - University of East London (UK), Ms. Thobile Maphanga - Centre for Creative Arts (UKZN - SA)[postgraduate student representative and colloquium administrator] and Dr. Yvette Hutchison - Warwick University (UK).

Keynote speakers include award-winning and prolific South African choreographers Boyzie Cekwana, Nelisiwe Xaba and PJ Sabbagha. Sessions includes prepared papers as well as conversations, a workshop and performances. 

A panel entitled BOXED and Its Inspirations for the Future, based on Dr. Anita Ratnam (Chennai, India) 2020 work Boxed, which was created during COVID and has become a template of how an existing crisis can inspire original dance art. Panelists include  Dr. Ratnam, Producer/Presenter, Chitra Sundaram, Series Consultant .

Choreographing violence and intimacies: exploring choreography, screendance and scenography as artistic mediums for choreographing intimacies through a performance lecture titled In the shadow of his fist, is the paper to be presented by Kamogelo Molobye, University of the Witwatersrand, Johannesburg, SA

Tammy Ballantyne Webber (Johannesburg, SA), Ntshadi Mofokeng (Johannesburg, SA), Thobile Maphanga (Durban, SA); with contribution from Kivithra Naicker (Seoul/Durban, KOREA/SA) join a conversation around “the role of the dance writer as dance goes digital”.

Dr. Sarahleigh Castelyn, University of East London, United Kingdom presents a paper entitled Intimacy as a Political Act: Contemporary Dance in South Africa 

[DE]TACH presented by Lucky Karabo Moeketsi (Gauteng, SA), explores the environmental habits that became a Black society’s norm against the spectre of the COVID pandemic and the required social distancing.

Hannah Ma (Luxembourg, Germany)  presents Why intimacy is the sphere where embodiment and integration becomes evident in the evolution of humankind in a globalised, capitalist world with contributions by respondents Nai Ni Chen (New Jersey, USA) and Nora Amin (Cairo, Egypt).

Digital Dance and domesticity: the work of female East African choreographers in a time of COVID is the paper presented by Charlie Ely (University of Leeds, UK) which looks at how the new realities of the pandemic have shaped the work of female East African choreographers, including Diana Gaya, Catherine Nakawesa and Pili Maguzo.

Mlondiwethu Dubazane (Cape Town, SA) and Nomcebisi Moyikwa (Durban, SA - University of KwaZulu-Natal) present Language is a breathable place: “that words must get out of the way for something else to come through’’ (Klonaris, 2011) in which they re-think ideas around language and the embodied self.

A workshop and paper entitled ‘When I slam my body into a wall, I know that it’s there’ authored and facilitated by  Kristina Johnstone (University of Pretoria & WITS, Gauteng, SA) reflects on the facilitation of embodied practice in a virtual space of teaching, learning and creation, specifically looking at ways of facilitating touch and the importance of creating moments of synchronicity (shared time). 

JC Zondi (China/South Africa) and Simphiwe "Fiddy" Ngcobo (Durban, SA) present Performing Uncertainties which open discussion around the relationship of film to dance making and, significantly the role of the audience/viewer in all of this.

Lorin Sookool (Cape Town, SA) in conversation with Thobile Maphanga (Durban, SA) speaks around her experience of creating her work Prayer Room (2020). She will discuss the processes and possibilities of engagement in art making during the times of COVID-19 in a session titled De-Snubbing the ‘Jack of All Trades’.

The full programme can be accessed on this link:  http://bit.ly/JombaColloquiumProgramme

It will be livestreamed to the JOMBA! YouTube Chanel and can be accessed free of charge on www.YouTube.com/Jomba_Dance  

The Dialogues will also have a closed ZOOM link for direct participants and for those who wish to apply to join and be present in the “room”.  Access to this is limited and participants need to apply to Thobile Maphanga on thobimaphanga@gmail.com.

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JOMBA! Contemporary Dance Experience Call for Submissions for New Digital Platform - “Open Horizons”

JOMBA! Contemporary Dance Experience

Call for Submissions for New Digital Platform - “Open Horizons”

The Centre for Creative Arts (UKZN) presents the 2021 JOMBA! Contemporary Dance Experience as a virtual event with performance, workshops, and online engagements from 24 August to 5 September. Applications are now open for JOMBA! “Open Horizons”, formerly known as the “Fringe”, which now offers a long and a short form platform for the submission of screen dance/digital dance work.

From the 2019 Something's not right choreographed by Carla Mostert and Rafe Green pictured here

“This remains an open access platform for any and all contemporary dance makers to apply and showcase their work at the festival,” explains Lliane Loots, Artistic Director of the Festival. “We invite professional, experimental, and young choreographers, dancers and dance companies to apply for participation on either (or both) with digital dance or screen dance work.”

The festival is looking for work that is located within the broad spectrum of contemporary dance, with preference being given to South African and African submissions. 

The Long Form welcome works between 5 and 8 minutes long, which will be streamed on the JOMBA! Contemporary Dance Experience’s YouTube channel.

The Short Form welcomes works that are 1 to 3 minutes long and will be streamed on Youtube as well as its social media channels, in a lower res format, to enable wider accessibility, and can be shared across various social media platforms.

For both these platforms a panel will select three “Pick of the Open Horizons” which sees three Long Form dance-makers being awarded after the festival, R3 500, R2 500, and R1 500 respectively, and three Short Form being awarded R2 000, R1 500 and R1 000 respectively.

All criteria and information about submissions as well as application forms can be found on this link: https://jomba.ukzn.ac.za/open-horizons/

Submission closes on Friday 9 July at 4pm (SAST).

Queries can be submitted via email to jombafestival@gmail.com.

Ends

Flatfoot to Dance in the Park - Botanic Gardens, Durban, 7 - 11 April at 5pm

FLATFOOT DANCE COMPANY 

in association with the Durban Botanic Gardens Trust, 

presents  “PARK DANCES #1” Durban Botanic Gardens

 7 – 11 April @ 5pm

COST: R100 per ticket 

Join Flatfoot Dance Company for its inaugural “Park Dances #1” in the lush surroundings of Durban’s exquisite Botanic Gardens for an outdoor sundowner dance experience from 7 to 11 April at 5pm each evening.

This short outdoor season, allows the audience to relax and safely watch Durban’s much-loved dance company in a celebration of joyous dance with good music in true Flatfoot style.

This hour-long explosion of dance has been collaboratively created by the full company: Sifiso Khumalo, Jabu Siphika, Lliane Loots, Zinhle Nzama, Mthoko Mkhwanazi, Sbonga Ndlovu, Siseko Duba and Ndumiso Dube. It offers a rich confluence of African rhythms, with classical and contemporary influence and execution.

This is the first Flatfoot’s “Park Dances” taking place during 2021 that will engage the natural environment of Durban’s parks as renewed and reimagined spaces to watch dance. 

“We are delighted to start off our Park season in collaboration with the Durban Botanic Gardens Trust and to have this opportunity to share this incredibly beautiful living space with audiences,” says Artistic Director Lliane Loots.

This is a family-friendly performance and audiences may bring picnics and blankets to sit on. Entrance opens at 4.15pm for patrons to settle in, enjoy a picnic or a stroll around the gardens before the show begins at 5pm. 

There is ample safe parking at the main Botanic Gardens Visitors Complex entrance. All COVID-19 safety protocols are in place, and masks must be worn. There is a maximum audience of 50 per show with demarcated areas to sit. Tickets are R100 and must be booked and paid for in advance – there are no door sales. To book contact Clare on flatfootdancecompany@gmail.com.

The Body Politics remembered during Women’s Month through Dance at JOMBA

Media Release

The Body Politics remembered during Women’s Month through Dance at JOMBA

South Africa honours and celebrates the role of women in society during this Women’s Month and on Women’s Day (9 August), in commemoration of the 1956 march of about 20,000 women to the Union Buildings in Pretoria to petition against the country's pass laws. In this remarkable show of solidarity, women gathered together in defiance to make change. 

“64 years later our annual JOMBA! Contemporary Dance Experience, taking place in August, women’s social, economic, and political struggles, challenges, hopes, and joys, are exposed and expressed through their work and bodies,” says Lliane Loots, Artistic Director of JOMBA. “Dance is a visceral art form that gives space to a body politics and what better way to image defiant and powerful women than those dancing”. 

JOMBA! is especially pleased to feature some of Africa (and the world’s) most powerful female voices in dance and especially Senegal’s award-winning choreographer and dancer, Germaine Acogny, considered as the “mother of Contemporary African dance”. Her 2015 work Somewhere at the beginning will be streamed during the festival and is a remarkable solo featuring a 73-year-old Acogny dancing and narrating a journey of self-identity as black, female, and African.

Flatfoot Dance Company choreographer and dancer Jabu Siphika’s solo piece Ya kutosha, created for JOMBA, is an intimate and terrifying exploration of gender-based violence and what it means to be trapped in the home.

Twelve-year-old Lethiwe Zamantungwa Nzama teams up with her father Sifiso Kitsona Khumalo as she makes her professional debut in a piece called Walls, which is a deeply intimate exploration of a father-daughter relationship set against the separation imposed by COVID-19 and the lockdown.

Chicago, USA-based Deeply Rooted Dance Theatre, under the direction of Nicole Clarke-Springer will feature in Parallel Lives a dance narrative inspired by poor, working women who have shared life-changing events, both beautiful and tragic. Danced with robust power, this is a must-see of this year’s festival. 

From India Anita Ratnam, a highly respected as a performer, writer, speaker, arts entrepreneur, and culture mentor features in Stone ... once again that reveals the facets of gender through misrepresentation and misogyny. This work was made after Donald Trump’s election as USA president.  Ratnam’s main area of focus is in the re-interpretation of traditional tropes from myth and legend using a feminist lens.

Robin Orlin , a power-house dance-maker, known for her incisive wit and ability to confront issues head-on in the dance space, presents a work created for Johannesburg-based Moving into Dance Mophatong called Beauty remained for just a moment then returned gently to her starting position ...”

From New Orleans, Leslie Scott and BODYART Dance Company return to the JOMBA “stage” with several works, all of which show huge courage and bravery in pushing the boundaries of the dancer’s relationship with audiences.

Other women dance-makers on the programme include Kristi-Leigh Gresse, Leagan Peffer, Nomcebisi Moyikwa, Tegan Peacock, Zinhle Nzama presenting works on the opening night which have been commissioned by JOMBA.

Digital JOMBA will stream online from jomba.ukzn.ac.za from 25 August to 6 September 2020.

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JOMBA! Goes Digital and Global ! 25 August - 6 September 2020

The Centre for Creative Arts (University of KwaZulu-Natal)

presents

22nd (DIGITAL) JOMBA! Contemporary Dance Experience

25 August - 6 September 2020

South Africa’s benchmark dance festival, the JOMBA! Contemporary Dance Experience, presented by the Centre for Creative Arts, University of KwaZulu-Natal, celebrates its 22nd year with its first-ever digital edition, which will go online, and be available free to a global audience from 25 August to 6 September 2020.

“It is clear that we will not be able to deliver a festival in the same manner as previous years,” explains Artistic Director Dr Lliane Loots. “COVID-19 has shifted the arts world very significantly and in this fragile environment, dance - still defined as a full-contact ‘sport’ – remains separated from rehearsal spaces, from theatre venues, and various sites. The somatic, visceral body is absent right now we believe - as a holding block for future embodied work – that they can still offer dance-makers, dance-lovers, and audiences space to engage serious, beautiful, and important new dance making via a re-visioned JOMBA! 2020.”

This year’s JOMBA! is a carefully curated explosion of dance and conversions about dance-making, offering both a look back at some iconic dance works and dance makers, but it also significantly looks forward to exploring what dance can be in a digital space and a digital time. 

2020 JOMBA! offers 7 vibrant platforms for audiences to engage:

The JOMBA! Legacy (celebrating 21years of JOMBA!) programme features nine key dance-makers from all over the globe who have had a significant impact on making JOMBA! the premier contemporary dance festival in Africa. This is a rare opportunity to look back for a moment and to celebrate some of the world’s most iconic dance-makers who have shared their work on JOMBA! stages: From South Africa Gregory Maqoma and Musa Hlatshwayo are featured; dissenting and remarkable Robyn Orlin shares work she has made with Johannesburg- based Moving into Dance Mophatong; Africa’s two most illustrious voices Nigeria’s Adedayo Liadi and Senegal's Germaine Acogny who is often quoted as the ‘Mother of African contemporary dance’ shares an incredible and definitive solo work (“somewhere at the beginning”) danced at the age of 73. And the exquisite feminist artistry of India’s Anita Ratnam is featured in her challenging revision of Indian mythology. 

Long time JOMBA! guests, INTRODANS from The Netherlands, grace the festival with neo-classical work made before lockdown that never quite had a life on stage. In an on-going partnership with the US Consulate, two remarkable American dance companies that have had a huge impact on JOMBA! over the years are also featured; both hailing from Durban’s twin cities of Chicago and New Orleans. Deeply Rooted Dance Theatre from Chicago and Leslie Scott’s New Orleans BODYART Dance Company. 

The JOMBA! Digital Edge has provided grants to nine Durban dance-makers who continue to make waves on the local dance scene, to create short dance films that will premiere on the opening night of the festival, and will be available to view on the JOMBA! website for the duration of the festival.

The dance-makers were asked to work loosely around the theme of “Intimacies of Isolation” and there were interesting differences in modalities of filming, from cell phone to cameras. Feature choreographers are, Jabu Siphika, Kristi-Leigh Gresse, Leagan Peffer, Nomcebisi Moyikwa, Sandile Mkhize, Sifiso Kitsona Khumalo, Tegan Peacock, Tshediso Kabulu, and Zinhle Nzama

Continuing its partnership with the USA, JOMBA! has invited guest US-based curators Lauren Warnecke, Peter Chu, Rachel Miller, and Tara Aisha Willis to put together a collection of “Dance on Screen” films in an inspired and poetic one hour package of short dance films that explore the length and breadth of film dance in the USA. 

The Digital JOMBA! Fringe showcases 18 African-based dance-makers work from an open application process. JOMBA! will award prizes to the top three dance films in this section. 

Four globally significant dance-makers who have embraced digital dance making under lockdown will host a live conversation around their work and what it means to have made this shift in a programme called Conversations…Dance in a Digital Age. Featured choreographers/dancers are Vincent Mantsoe (South Africa/France), Jürg Koch (Switzerland), Themba Mbui (South Africa), and Ongiege Matthew (Kenya). Both Mbuli and Matthew will offer the world premiere of their new ‘lockdown’ dance works on this JOMBA! platform. 

Once again the JOMBA! blog and digital newspaper - JOMBA! KHULUMA - will involve the on-going support of dance writing and dance criticism through a series of closed webinars/seminars for graduate dance students. 

After years of photographing JOMBA, the fest photographer  Val Adamson will share her work in an exhibition - 21 Years of JOMBA! Through The Lens. This not only honours her extraordinary photographic eye, but it is also a moment of visually remembering the festival’s history through her evocative capturing of dance on stage with her Nikon cameras. 

Digital JOMBA! 2020 runs from 25 August to 6 September off the website, jomba.ukzn.ac.za. All platforms for 2020 are free of charge and a full programme is available via the website. 

For more information and updates on the programme visit Facebook, Twitter and Instagram.

Dancing in a Digital Space - JOMBA 2020

Media Release

Dancing in a Digital Space

JOMBA! Contemporary Dance Experience Calls for Fringe Applications

For its 2020 Online Edition

In the wake of the COVID-19 global upheaval and its impact on live performance, the much-loved JOMBA! Contemporary Dance Experience, hosted by the Centre for Creative Arts, University of KwaZulu-Natal, calls for Fringe Applications as it announces its move online for its 2020 edition in August/September.

“It is clear that we will not be able to deliver JOMBA! in the same manner as previous years,” says JOMBA’s Artistic Director Lliane Loots. “COVID-19 has shifted the arts world very significantly and we will remain one of the hardest hit sectors both now and even post COVID-19.  But as an artistic entity, which offers a time and space for artists to engage in serious and important new art and dance-making for audiences, we believe we must continue with our work and so have begun planning in an environment of fragile uncertainty for a re-visioned digital JOMBA! 2020. “

Loots goes on to explain, “The idea is to imagine JOMBA! to be a benchmark of what a dance festival could possibly be or become at this zeitgeist in our history. As we began to curate what will be a fascinating programme, we would like to reach out for digital submissions for the JOMBA! Fringe 2020.”

Professional, experimental and up-coming choreographers, dancers and dance companies are invited to apply for participation on the JOMBA! Digital Fringe platform.

As JOMBA! is a contemporary dance festival, works that are located within the broad spectrum of contemporary dance will be considered, and preference will be given to South African and African submissions. 

For the JOMBA! Digital Fringe, works that are specifically conceived, and created for film and for a  digital platfom, and that develop interesting dynamics between dance and screen/digital/film disciplines will be considered.

A panel of experts (local and international) will adjudicate the works presented as part of the JOMBA! Digital Fringe, and our “Pick-of-the-Fringe” works will be announced publically.   

Application forms which outline all the submission criteria can be requested via e-mail from jombafestival@gmail.com with the subject line “Request for 2020 JOMBA fringe application form .

Applications close at 4pm on Friday 10 July 2020.

Maritzburg Dance-Makers honoured with 2019 JOMBA! Eric Shabalala Dance Champion Award

Media Release

Maritzburg Dance-Makers honoured with 2019 JOMBA! Eric Shabalala Dance Champion Award

The 2019 JOMBA! Eric Shabalala Dance Champion Award, in honour of the memory of Eric Mshengu Shabalala who tragically passed away in 2011, was given to two Pietermaritzburg dance-makers Bonwa Mbontsi and Tegan Peacock, at the 21st JOMBA!Contemporary Dance Experience on 5 September.

Speaking at the award hand-over, Artistc Director of JOMBA! Lliane Loots said, “ The award is given not only in recognitions of performance or choreographic excellence, but also more profoundly and more importantly, it is given in recognition of dance practitioners who have worked tirelessly to help grow a culture of dance and dance training in KwaZulu-Natal – who have supported the growth of dance as an art form at both community and regional level.”

“This year the award is being given to two incredible dance champions. These amazing individuals work have spent dedicated years of there still young lives being part of an incredible re-surgence and re-growth of dance in Maritzburg, being a powerful nexus for contemporary dance in KZN. Most significantly that have not done this only in their own work, but have found a way to create a bigger sense of community and of sharing spaces and resources to grow dance – this is what this award is honouring.”

Bonwa is a graduate of UKZN, Pietermaritzburg, where he obtained a BA degree in Psychology and Drama & Performance Studies, with a specific focus on dance performance and choreography. He has worked with choreographers and dancers, PJ Sabbagha, Fana Tshabalala, Shanell Winlock and Craig Morris, taught at Maritzburg College for four years and co-founded ReRouted Dance Theatre.

Specifically to the award, he runs an outreach youth development work in Pietermaritzburg and Melmoth in association with J.A.W. (Justice and Women). In 2018 he founded the Bonwa Dance Company, which has strong outreach and dance development programme called the Super Troupers that prides itself on its integrative approach to dance education, performance opportunities and youth empowerment.

Tegan started her dance training in Classical Ballet and a BMus (dance) degree at the UCT’s School of Dance. In 2013 she relocated to Pietermaritzburg where she helped to co-found contemporary dance company, ReRouted Dance Theatre. Both individually and with her collaborators, they have choreographed and performed on numerous arts platforms around the country, , and won a 2016 Standard Bank Ovation Award at the Grahamstown National Arts Festival for BIRD/FISH.

Tegan conceptualised and held the first ReRouting Arts Festival in Pietermaritzburg this year. The festival is a site-specific multi-disciplinary arts festival that uses alternate public spaces around the city. The festival aims to create unique audience experiences, build bridges and create dialogue between different socio-economic and cultural demographics while promoting a culture of art and dance within the city. “It is this phenomenal and courageous act of opening this PMB festival space for dance and dancers is what we honour,” said Loots.

In accepting the award Bonwa Mbontsi said, “It's a blessing and an honour to receive this prestigious award, I'm so proud to be standing on the shoulders of giants like brother Eric Tshabalala. In the (outreach) work (I do) I have found how powerful dance can be in creating personal change in these in these young individuals’ lives. Through time and through the ages, great thinkers have urged us to dance creatively through life…I appeal to everyone in this challenging time of change to dance together (to find solutions to these challenges and provide an antidote for some our social ills).”

Tegan said, “I would like to thank Jomba, the Centre for Creative Arts, Lliane (Loots) and the organising committee for the honour and recognition you bestow upon us this evening. Your unwavering support of dance and local artists is unprecedented and truly valued in KwaZulu-Natal.  I am in awe of the work that you do and grateful for the privilege of learning and growing under your watchful gaze. I believe that the evolution and sustainability of dance will come from the creation and growth of community more than that of individuals working in isolation. As such, Jomba and similar spaces, along with the varied dance work that is taking place, are critically important in developing a culture of art within the city and its people.”

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Notes from Lliane Loots Speech:

In selecting recipients, the Jomba! committee look for those gifted individuals who have gone above and beyond – often without funding – to dedicate themselves to the cultural industry and to put KZN dancers and dance on the national and international map. We are also mindful of KZN dance practitioners who have supported the Centre for Creative Arts and the JOMBA! platforms by taking advantage of the free workshops and for tirelessly bringing work to the Youth Fringe and the JOMBA! Fringe platforms. This too is an indication to us of a desire to grow dance.

Past recipients of this prestigious award include Jarryd Watson for his work with the Wentworth Dance Movement, Sifiso Khumalo for his dedicated work in growing the Flatfoot Dance Company’s dance education and development programmes. In 2013, the award was given jointly to Byron ‘Bizzo’ Tifflin and Preston ‘Kayzo’ Kyd - two dancers who still continue to grow a community of dancers. In 2014 the award was jointly given to Jabu Siphika, Julia Wilson and Zinhle Nzama. They are especially honoured for the dance development work they are doing though FLATFOOT DANCE COMPANY with young girls and women in KZN and with using dance to address a society fraught with difficult gender politics that often makes the lives of young women so challenging. In 2015 the award was given to the inimitable Ntombi Gasa of Siwela Sonke Dance Theatre for a lifetime of growing dance in this province through her teaching, choreography and dance administrations. 2016, 17 and 18 saw three of KZN most amazing dance practitioners honoured; Musa Hlatshwayo, S’fiso Magesh Ngcobo and Mduduzi Mtshali.

Cape Town’s Yaseen Manuel wins Pick of the Fringe Award at JOMBA! Contemporary Dance Experience In Durban

Cape Town’s Yaseen Manuel wins Pick of the Fringe Award at JOMBA! Contemporary Dance Experience In Durban

Cape Town dance-maker Yaseen Manuel received the Pick of the Fringe award for his work “Maktub” at this year's JOMBA! Contemporary Dance Experience Fringe event at the Elizabeth Sneddon Theatre on Thursday, 4 September.

The prestigious award, providing him with support and a platform to present a new work at next year’s JOMBA!, was awarded by a committee comprising 2018 Standard Bank Young Artist for Dance and well-known South African dance-maker Musa Hlatshwayo, veteran dance writer and critic Adrienne Sichel and Prof Ketu Katrak (Department of Drama, University of California [Irvine] USA).

The work “Maktub” (meaning “our destiny” in Arabic ) was inspired by a line from an Islamic reading that one of the very first messages  was revealed through the “necklace of Yemen”.  “I took this idea and directed and choreographed it into a journey of man having no purpose on earth and trying to find what faith could bring us ,” explains Manuel. “Once the message through the necklace is revealed it helps find a pathway, a purpose for religion and understanding God’s intention for man.”

Manuel who only started dancing at 18 years, is a dancer and choreographer who aspires to tell his stories through movement drawing on this own spiritual and personal life’s journey. He currently works independently, but has worked extensively with the Cape Town-based Jazzart Dance Theatre and Unmute Dance Theatre, performing a variety of dance styles.

 “I am really grateful and honoured to have received the award, especially as it opens up the opportunity for me to dig further into my exploration of the work. It has also made me realize that if you do things with love and intention as you tell your story, you are able to find who you are as an artist – and great things can come from this,” he says.

Next up Manuel will perform at the Baxter Dance Festival opening on 26 September with a collaborative production "Unraveled” and will also perform “Maktub” at the fest with Sifiso Khumalo of the Flatfoot Dance Company on 1 and 2 October.

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Last weekend of JOMBA! Durban, SA

Last weekend of JOMBA! 

Elizabeth Sneddon Theatre

Durban’s much-loved Flatfoot Dance Company with celebrated dance-maker Fana Tshabalala, and legendary Vincent Mantsoe and Lulu Mlangeni feature this weekend (6-8 September) at the close out to the 21st JOMBA! Contemporary Dance Experience Festival at the Elizabeth Sneddon Theatre at UKZN.

Fana Tshabalala, is the featured UKZN Mellon Foundation Artist-in-residence who has collaborated with the Flatfoot Dance Company in “amaVendors”, as they explore the journey of women and men who wake up every day to sell in the streets to provide for themselves and the loved ones.

Tshabalala will present his solo “Man”  inspired by the ideal kind of “Man” within society and how the roles and responsibilities have changed throughout  the years -  a new type of “Man” is emerging - gentle, sensitive, caring - a “Man” not afraid of express his feelings. “In light of the current situation and conversation in the country focused on the complicit and explicit role men play in the scourge raged against women and girls, this should make for an interesting piece  to watch and for discussion afterwards,” says Artistic Director, Lliane Loots.

Considered to be one of the founding fathers of South African contemporary dance Vincent Mantsoe, returns with the world premiere of his new work “SoliiDad, an abstract journey to oblivion”. This is a deeply personal journey into the very nature of being. Taking its impulse from Lao Tzu’s comment that, “a good traveller has no fixed plan, and is not intent on arriving”, Mantsoe’s exquisite solo is a journey into, and survival of, loneliness.

Mantsoe is set in a double bill with Johannesburg based Lulu Mlangeni –a young up and coming dance maker that is taking the country by storm. She will present her duet called “The Encounter” and it is a brave and unflinching contemporary journey into African spirituality and belonging. “The Encounter” is a dance duet that explores the timelessness of human spiritual ambivalence. 

Flatfoot and Fana Tshabalala perform on Friday, 6 September at 7.30pm and Mantsoe and Mlangeni on Saturday, 7 September at 7.30pm and Sunday, 8 September at 2.30pm at the Elizabeth Sneddon Theatre, UKZN.

A free workshop will be conducted by Mantsoe, (who spends his time between France and South Arica teaching, choreographing and doing masterclasses) on Friday 6 September at 4.30pm at the UKZN Dance Studio. Booking is essential via jombafestival@gmail.com 

The JOMBA! Contemporary Dance Experience is presented by the University of KwaZulu-Natal’s Centre for Creative Arts with support from the eThekwini Municipality.

Tickets: R80 (Student/scholar/pensioner/group booking of more than x10): R60

Tickets available on Computicket.

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